The first thing that strikes you about any album by Stephen Coates (a.k.a. The Real Tuesday Weld) is the fact that every element in his compositions seems to be drawn from sources many decades old. The second thing that strikes you is that his music sounds completely new. The London Book of the Dead is just one more example of how a wildly open attitude and a slightly mystical bent can result in a distinctly personal and wonderfully warm musical personality  one that uses technology enthusiastically and happily turns it against itself to create something that sounds more deeply human than most of the music made by analog means elsewhere