The Stooges

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During the psychedelic haze of the late '60s, the grimy, noisy and relentlessly bleak rock & roll of the Stooges was conspicuously out of time. Like the Velvet Underground, the Stooges revealed the underside of sex, drugs, and rock & roll, showing all of the grime beneath the myth. The Stooges, however, weren't nearly as cerebral as the Velvets. Taking their cue from the over-amplified pounding of British blues, the primal raunch of American garage rock, and the psychedelic rock (as well as the audience-baiting) of the Doors, the Stooges ...[more]

 

 

In 1972, the Stooges were near the point of collapse when David Bowie's management team, MainMan, took a chance on the band at Bowie's behest. By this point, guitarist Ron Asheton and bassist Dave Alexander had been edged out of the picture, and James Williamson had signed on as Iggy's new guitar mangler; Asheton rejoined the band shortly before recording commenced on Raw Power, but was forced to play second fiddle to Williamson as bassist. By most accounts, tensions were high    [ read more ]

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VINYL FORMAT. Sundazed pressing...The Stooges' first album was produced by a classically trained composer; their second supervised by the former keyboard player with the Kingsmen. If that one change didn't make all the difference, it at least indicates why Fun House was a step in the right direction. Producer Don Gallucci took the approach that the Stooges were a powerhouse live band, and their best bet was to recreate the band's live set with as little fuss as possible. As a result, the production on Fun H   [ read more ]

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VINYL FORMAT. Sundazed pressing. While the Stooges had a few obvious points of influence ? the swagger of the early Rolling Stones, the horny pound of the Troggs, the fuzztone sneer of a thousand teenage garage bands, and the Velvet Underground's experimental eagerness to leap into the void ? they didn't really sound like anyone else around when their first album hit the streets in 1969. It's hard to say if Ron Asheton, Scott Asheton, Dave Alexander, and the man then known as Iggy Stooge were capable of mak   [ read more ]

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The only recorded document of the Stooges incredibly short lived two guitarist line-up of James Williamson and the late Ron Asheton. Only ten shows were played of the 1971 tour; there's four of them here. These recordings are all audience recordings and therefore suffer from non perfect sonic sound reproduction but show the band in an extraordinary full on aural assault. The electric circus and Detroit tapes recorded by then manager Danny Fields and purchased by Easy Action. The packaging will include a boo   [ read more ]

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DELUXE EDITION. Long before the raw power of punk icon Iggy Pop became legend, his first incarnation as Iggy Stooge of proto-punk trailblazers The Stooges roared into being. The essence of punk years before the genre existed, The Stooges' furious music was a howling, visceral, fuzztone-drenched, and unprecedented vortex of sound, as evidenced on their revolutionary self-titled, John Cale-produced 1969 debut album. Their bracing follow-up, Fun House portrayed their evolution into a fiercer, stronger band wit   [ read more ]

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VINYL FORMAT. Classic Stooges! Their very first single for Elektra records, "1969," b/w "Real Cool Time." Exact repro of original artwork.

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This is a black, size small the Stooges shirt with a Fun House design.

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VINYL FORMAT. This compilation of rarities is not just any 'from the vaults' collection. What we give you here are a few true moments of greatness. Just when you thought you knew all there was to know about The Stooges, these 11 raw, pulsating tracks, not found on any of the original Stooges albums, are sure to satisfy both the hardcore fan and the novice. Compiled by Pat Thomas.

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DELUXE EDITION. Long before the raw power of punk icon Iggy Pop became legend, his first incarnation as Iggy Stooge of proto-punk trailblazers The Stooges roared into being. The essence of punk years before the genre existed, The Stooges' furious music was a howling, visceral, fuzztone-drenched, and unprecedented vortex of sound, as evidenced on their revolutionary self-titled, John Cale-produced 1969 debut album. Their bracing follow-up, Fun House portrayed their evolution into a fiercer, stronger b   [ read more ]

Buy Now 2XCD $18.99

 

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The creative and interpersonal dynamics of a rock band are notoriously tricky, and when a band hasn't worked together for a few decades, simply getting the same people together in a recording studio doesn't guarantee lightning is going to strike again. In 2003, more than 30 years after the original lineup of the Stooges collapsed after the commercial failure of Fun House, Iggy Pop finally buried the hatchet with his former bandmates Ron Asheton and Scott Asheton, and they hit the road for a series of   [ read more ]

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This compilation of rarities is not just any 'from the vaults' collection. What we give you here are a few true moments of greatness. Just when you thought you knew all there was to know about The Stooges, these 11 raw, pulsating tracks, not found on any of the original Stooges albums, are sure to satisfy both the hardcore fan and the novice. Compiled by Pat Thomas.

Buy Now CD $19.99

 

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Kill City helped bridge Iggy Pop's musical career from the drug-fueled and blazing rock of the Stooges (Raw Power, etc.) to his artier (but just as influential and passionate) David Bowie-produced solo albums (The Idiot and Lust for Life). After the Stooges broke up for good in 1974, Iggy (who was depressed, suicidal, and addicted to hard drugs) checked himself into a mental hospital to straighten out. When he emerged sober, Iggy hooked up with ex-Stooges guitarist {$Jame   [ read more ]

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