Wavering Radiant

There is no consensus among Isis's cult-like fan base as to which album serves as the ultimate document of their art. Each record is a piece in the puzzle. Consequently, to brand their latest offering, Wavering Radiant, as the pinnacle of their achievements would be folly. Yet it's a tempting proclamation. The factors that defined Isis in the past are still present, but the band manipulates its tactics and strategies with a refined sense of purpose and a heightened knack for nuance. They've extrapolated on the polar nature of their music - it's simultaneously their most challenging and accessible music to date. While Wavering Radiant is finely structured, dynamically varied, and melodically developed, it's also unpredictable, expansive, and densely layered. Every Isis endeavor is an active listening experience - requiring an aficionado's ear for subtlety and a scholar's grasp of the larger picture - but Wavering Radiant manages to provide instant gratification while also harnessing the slow burn of a classic, revealing the full extent of its mysteries only after repeated listens.

Rare is the record that finds the individual players as compelling as the sum of their parts, and Isis has achieved just that. While the monolithic guitars of Aaron Turner and Michael Gallagher remain a primary fixture in the Isis soundscape, the dueling instrumentalists continue to develop and expand upon their interplay. Together they evoke the emotional range of Wagner: brooding, triumphant, vengeful, and morose. Aaron Turner's vocals are more prominent than ever. But in keeping with the egalitarian nature of their art, the vocals continue to serve as flourishes rather than a focal point. Clifford Meyer's multi-instrumentation duties play a stronger role this time around as well. His atmospheric textures are still present, but he unlocks new horizons for the band with Fender Rhodes, electric organ, and the occasional psychedelic guitar lead. Jeff Caxid