Perhaps the most utopian aspect of the U.K. punk scene was that it offered creative, articulate young people the opportunity to express themselves, and to kick up an exuberantly noisy racket in the process. X-Ray Spex certainly came from this wing of the movement, the brainchild of two female schoolmates who re-christened themselves Poly Styrene and Lora Logic. X-Ray Spex was far from the only female-centered British punk act, but they were arguably the best, combining exuberant energy with a cohesive worldview courtesy of singer and songwriter Poly Styrene. As her nom de punk hinted, Styrene was obsessed with the artificiality she saw permeating Britain's consumer society, linking synthetic goods with a sort of processed, manufactured humanity. Styrene's frantic claustrophobia permeates the record, as she rails in her distinctively quavering yowl against the alienation she feels preventing her from discovering her true self. Germ Free Adolescents is tied together by Styrene's yearning to be free not only from demands for consumption, but from the insecurity corporate advertisers used to exploit their targets (especially in women) -- in other words, to enjoy being real, imperfect, non-sterile humans living in a real, imperfect, non-Day-Glo world. Fortunately, the record is just as effective musically as it is conceptually. It's full of kick-out-the-jams rockers, with a few up-tempo thrashers and surprisingly atmospheric pieces mixed in; the raw, wailing saxophone of Rudi Thomson (who replaced Lora Logic early on) gives the band its true sonic signature. [A Japanese version included bonus tracks.] ~ Steve Huey, All Music Guide