XXX

VINYL FORMAT. Lover. Fighter. Prophet. Freak magnet. Time-traveler. Musician, photographer and designer Jimmy Edgar is a wayward star-child streaking across the cosmic dance-floor. Endowed with a supernatural feel for futuristic funk, the Detroit native has been bleeping and grinding about the Milky Way since he was a teenage humanoid. While his peers were worrying about their grades and popularity, Edgar was spinning alongside his hometown's DJ heroes and programming intricate beats that were unquestionably interplanetary communication disguised as dance music. In 2001 at the tender of eighteen, his hyper-sexed microchip stylings caught the ear of Warp, where he cranked out his brand of amped-up laptop funk for the next eight years, culminating in the full-length classic Color Strip. Now twenty-six, Edgar is shaking things up at German beat boutique !K7. The new album XXX and its New Jack Swing winks as much at Minneapolis, Compton and Paris as it does Detroit or Berlin. On new turf, Edgar's sonic prowess takes on a leaner, more radio-ready shine. 'Function of Your Love' zips and struts about like something Andre Cymone might have cooked up for Jody Watley in their chart-topping heyday. On 'Hot, Raw, Sex' Edgar lets the synth stabs and hand claps fly fast and loose. 'In My Color' has the percolating, crystalline bounce of I:Cube's late 90's French Touch. 'Midnite Fone Call' is the kind of lush Quiet Storm that Alex Gopher might kill for. 'Push', with its staccato rhythm and come-hither incantations would make Timbaland blush. The instrumental interlude 'One Twenty Detail', runs Kraftwerk through a low-rider worthy break-beat filter and 'Vibration' sounds like pornographic Morse Code tapped out by Egyptian Lover. While the album is largely a one-man show, XXX is not without accomplices. A Latvian girl named Anet sings on 'Physical Motion' and a rising new R&B singer from NYC signed to XL recordings, Azealia, ad libs on the same track. What Edgar does essentially and very well is make your body move. Most of the time he does it alone, but there has been no shortage of willing partners. In addition to an array of remixes for everyone from pop acts like Will Smith and Scott Hardkiss to indie darlings like emo-electro duo Purple Crush and new wave soul man Theophilus London - including 2009's cruising-with-the-top-down jams 'Blindfolded' and 'Higher' - he famously turned Michael Jackson's 'Billie Jean' inside out into a blistering workout from beyond. Ultimately, the best thing about Jimmy Edgar's intergalactic funk is that for all its mystical kink, it's solidly the kind of music you could easily imagine today's pop tarts making. If Beyonce, Lady Gaga or Fergie had any sense, their million dollar booties would have Jimmy Edgar on speed dial already.