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Yes, Virginia

Yes, Virginia

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2006, Roadrunner
The Dresden Dolls could never be accused of being shy and retiring, but on their second full-length, Yes, Virginia..., they sound more confident than ever, igniting their cabaret-rock with more crazed inventiveness and you-are-there immediacy. While there's nothing as instantly captivating as their first album's winsome "Coin-Operated Boy" or the defiant "Girl Anachronism," Yes, Virginia... is a more powerful and consistent set of songs overall, moving from musically and emotionally complex ballads like "Delilah" and the album closer, "Sing," to shouty, forceful numbers such as "Necessary Evil" and "Sex Changes." Sean Slade and Paul Kolderie's production adds to the bigger, more rock-inspired sound of the album, which invigorates Amanda Palmer's character sketches. While the highly theatrical, stylized sound of the Dresden Dolls might seem to be the substance of their music -- and, admittedly, it does draw the listener in right away -- it's the strong songwriting that makes the band truly impressive. Palmer's lyrics have a mix of sympathy and disdain for the people and subjects in her songs that makes them seem very honest in spite, or perhaps because of, their theatricality. On "Backstabber," she dismisses a "greedy little fit-haver" with a "God, I feel for you, fool" that's a perfect blend of fury and pity. She goes after and celebrates uncomfortable moments, whether it's cataloging the drunken haze of "My Alcoholic Friends" (which is one of the jauntiest, poppiest distillations of the Dolls' sound to date) or "First Orgasm," a bleak and almost creepily intimate ballad that's not at all jokey despite lines such as "I'm taking matters into my own hands" and "there won't be any second coming." Full of ambitious twists and turns, equally vulnerable and sarcastic, Yes, Virginia... alludes to the famous 1897 New York Sun editorial that reassured a little girl that Santa Claus exists for a reason: as arch and ironic as the Dresden Dolls might seem on the surface, inside their music, there's a surprising amount of hope and heart. - All Music Guide
Tracklisting
Disc 1
1 Sex Changes
2 Backstabber
3 Modern Moonlight
4 My Alcoholic Friends
5 Delilah
6 Dirty Business
7 First Orgasm
8 Mrs. O.
9 Shores of California
10 Necessary Evil
11 Mandy Goes to Med School
12 Me & The Minibar
13 Sing

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1 reviews
Michelle Sinsky
The follow-up to their self-titled debut, "Yes Virginia" is the Dresden Dolls' latest punk-cabaret masterpiece. Theatrical pianist Amanda Palmer and drummer Brian Viglione come back more cynical and black-hearted to produce an album that covers even more taboos than before - sex changes, masturbation, sociopathy, first-degree manipulation and back alley abortions. Amanda's voice is just as sultry and agressive as always. The songwriting falls a bit short on several tracks ("Modern Moonlight" and "Necessary Evil") where the exact subject matter is more obscure, and the driving motion of previous tracks is occasionally interrupted by an lengthy ballad that seems as if it was written. But when the Dolls' nail it, they really nail it hard. The dark, burlesque "Mandy Goes to Med School" and denial-ridden "Mrs. O" (along with the the confessional "Dirty Business") make the album worth a listen.
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