Something happened in the intervening years since you last heard Young Love. Sure, Dan Keyes is still masterminding music that sets dancefloors ablaze, but since the release of 2007's excellent Too Young to Fight It, there's been a shift, a subtle but assured transmorgrification in Keyes that manifests itself in each carefully chosen chord, each deliberately delivered lyric. From the sound of One of Us, what Keyes wanted musically and lyrically was a record that is at once energetic and contemplative, moving audiences seamlessly from a dance floor packed with strangers to a room filled with friends.