If Definitely Maybe was an unintentional concept album about wanting to be a rock & roll star, (What's the Story) Morning Glory? is what happens after the dreams come true. Oasis turns in a relatively introspective second record, filled with big, gorgeous ballads instead of ripping rockers. Unlike Definitely Maybe, the production on Morning Glory is varied enough to handle the range in emotions; instead of drowning everything with amplifiers turned up to 12, there are strings, keyboa   [ read more ]

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Definitely Maybe manages to encapsulate much of the best of British rock & roll -- from the Beatles to the Stone Roses -- in the space of 11 songs. Oasis' sound is louder and more guitar-oriented than any British band since the Sex Pistols, and the band is blessed with the excellent songwriting of Noel Gallagher. Gallagher writes perfect pop songs, offering a platform for his brother Liam's brash, snarling vocals. Not only does the band have melodies, but they have the capabili   [ read more ]

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Definitely Maybe manages to encapsulate much of the best of British rock & roll -- from the Beatles to the Stone Roses -- in the space of 11 songs. Oasis' sound is louder and more guitar-oriented than any British band since the Sex Pistols, and the band is blessed with the excellent songwriting of Noel Gallagher. Gallagher writes perfect pop songs, offering a platform for his brother Liam's brash, snarling vocals. Not only does the band have melodies, but they have the capabili   [ read more ]

CD $40.83

"Whatever" actually sounds more like "I Am the Walrus" than their actual cover (!), what with the strings, but it's another solid pop single, with a shockingly perfect bridge, a nice progression. It makes one think that the first two singles, "Supersonic" and "Shakermaker," which were good upon release, now seem naive in comparison. The B-side cuts here include one more in the "Listen Up" vein, "(It's Good) To Be Free," and the Noel-sung, acoustic-pretty "Half the World Away," which reminds a little of R.E.   [ read more ]

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If Definitely Maybe was an unintentional concept album about wanting to be a rock & roll star, (What's the Story) Morning Glory? is what happens after the dreams come true. Oasis turns in a relatively introspective second record, filled with big, gorgeous ballads instead of ripping rockers. Unlike Definitely Maybe, the production on Morning Glory is varied enough to handle the range in emotions; instead of drowning everything with amplifiers turned up to 12, there are strings, keyboa   [ read more ]

CD $40.83

Arriving with the force of a hurricane, Oasis' third album, Be Here Now, is a bright, bold, colorful tour de force that simply steamrolls over any criticism. The key to Oasis' sound is its inevitability -- they are unwavering in their confidence, which means that even the hardest rockers are slow, steady, and heavy, not fast. And that self-possessed confidence, that belief in their greatness, makes Be Here Now intensely enjoyable, even though it offers no real songwriting breakthroughs. {   [ read more ]

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For American audiences, the phenomenal worldwide success of Oasis was a little puzzling. That's because they only had part of the picture -- unless they were hardcore fans, they didn't hear nearly three albums of material released on B-sides and non-LP singles. Critics and fans alike claimed that the best of these B-sides were as strong as the best moments on the albums, and they were right. None of the albums had a song that rocked as hard as "Fade Away" (cleverly built on a stolen melody from {$Wham   [ read more ]

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"No music! Just an interview with attitude," reads a sticker on this CD-and-book package. The hour-long interview, recorded in March 1995, features Oasis bandmembers Paul "Bonehead" Arthurs and Noel Gallagher, answering questions from an unnamed female American interviewer. Thankfully, Arthurs is in the right speaker and Gallagher in the left, both recorded quite clearly, while the interviewer is at a distance from the microphones, though still audible. At a time when Oasis' first album, {   [ read more ]

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Since Noel Gallagher plays most of the parts on the album, Standing on the Shoulder of Giants isn't really the debut of the new, post-Guigsy/Bonehead lineup, but it is clearly the beginning of Oasis, Mark II. Such a grandiose statement may imply that it's a clear break from Oasis' past, yet that's hardly the case, since many signatures are still in place -- strummed acoustic guitars, big hooks, undeveloped lyrics, familiar rhymes, and a gigantic wall of sound. The arrangements are every bi   [ read more ]

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