Her second album of covers; this one a tribute to the great vocalists who've influenced her over the years Featuring covers of Bob Dylan, CCR, Billie Holiday, James Brown, Hank Williams and more! Backed by Dirty Delta Blues (Judah Bauer, Gregg Foreman, Jim White, Erik Papparazzi). Guest appearances: Spooner Oldham (Neil Young, Janis Joplin, Bob Dylan), Larry McDonald (Toots & The Maytals, Taj Mahal), Teenie Hodges (Al Green, Memphis Rhythm Band), and Matt Sweeney (Chavez, Will Oldham).

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One of the most intense moments on Chan Marshall's 1996 breakthrough LP, What Would the Community Think?, Nude as the News rides a starkly incoherent, strangely political bend, with Marsha   [ read more ]

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Cat Power covered Moby Grape's 'Naked if I Want To' for The Covers Record and it will also be offered on the bonus disc for the deluxe edition of Jukebox. Download this slow, sexified track and get ready for her next sure-to-be-amazing record!

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Cat Power is the nom de plume of Chan Marshall. Her last record, 'Moon Pix,' was released in September 1998 and was hailed 'round the world as a paragon of modern songwriting. On 'The Covers Record,' Chan applies her remarkable interpretive skills to a wide variety of influences, accompanying herself on only piano or guitar. Almost gruesome in its melancholy (think 'Pink Moon,' 'Drama Of Exile,' 'Music For A New Society...'), she de/reconstructs these songs often to the point of unrecognizability. The resul   [ read more ]

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The long awaited new album from one of the most powerful voices and minds of her generation or any other, 'You Are Free' marks Chan Marshall's first album of original material in nearly four years. Achingly beautiful and carefully crafted, 'You Are Free' is most assuredly not easy listening. Great albums rarely are. Features guest appearances from Bill Callahan and (no joke) Eddie Vedder and Dave Grohl.

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Cat Power's 1998 album Moon Pix continues Chan Marshall's transformation from an indie rock Cassandra into a reflective, accomplished singer/songwriter. Where her previous works were an urgent, aching mix of punk, folk, and blues, Moon Pix is truly soul(ful) music: warm, reflective, complex, and cohesive.

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Recorded at Memphis, TN's Ardent Studios over the summer by Stuart Sikes, The Greatest while the most confident and life-affirming work of Chan Marshall's career, is as intensely personal, haunting and provocative as any of its predecessors. The album's players are a bona fide All-Star team of Memphis musicians, including Al Green sideman Teenie Hodges on guitar, Leroy 'Flick' Hodges and David Smith on bass, Rick Steff on keys, Jim Spake on sax and trumpteer Scott Thompson amongst others.

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The first taste of the new Cat Power is this super low priced 7' with two tracks from The Greatest. Super cheap! Super cool! Super Chan! Yeah!

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Chan Marshall's second album under the name Cat Power, finds the North Carolinian at lo-fi maverick Doug Easley's Memphis studio, her soft, engagingly shy voice and delicate acoustic guitar supported by Easley's pedal steel and Sonic Youth drummer Steve Shelley's percussion. Though Easley and Shelley are better known for working with much louder, noisier artists than Marshall, they never overpower her sensitive but sturdy material. Sounding more self-assured than she did on her debut, 1995's DEAR SIR, Marsh   [ read more ]

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Recorded at Memphis, TN's Ardent Studios over the summer by Stuart Sikes, The Greatest while the most confident and life-affirming work of Chan Marshall's career, is as intensely personal, haunting and provocative as any of its predecessors. The album's players are a bona fide All-Star team of Memphis musicians, including Al Green sideman Teenie Hodges on guitar, Leroy 'Flick' Hodges and David Smith on bass, Rick Steff on keys, Jim Spake on sax and trumpteer Scott Thompson amongst others.

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The 1996 album Myra Lee presents a more diverse and fully developed version of Cat Power's music, ranging from the winding, acoustic menace of "Enough" to the sinewy rock of "We All Die." Introspective epics like "Great Expectations," "Faces," and "Wealthy Man" use churning tempos and spiraling guitars to convey Marshall's melancholy musical vision, but gentler songs like the trembling cover of Hank Williams' "Still in Love" and originals like "Top Expert" and "Ice Water" are parts of the picture as well, a   [ read more ]

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