Fennesz

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Vienna-based guitarist Christian Fennesz is one of the city's many artists associated with the noted Mego label, which releases mostly free-form ambient and experimental electronica. Similar in some respects to the work of Seefeel or Experimental Audio Research, Fennesz's six-string soundscapes are both darker than the former and more complex and intricate than the latter, combining dense, multilayered sheets of treated guitar and synth with thin, odd-metered electronic percussion and engaging sampler work. A former member of Austrian underground experimental rock ...[more]

 

 

VINYL FORMAT. Black Sea is the much-anticipated new album from Christian Fennesz, his first since Venice (2004). Fennesz's career has come a long way since Instrument, his debut for Mego in 1995, and his first solo album Hotel Paral.lel which followed in 1998. Endless Summer (Mego, 2001) brought him to a much wider audience and Venice underlined his mastery of melody and dissonance. His songs usually embody the skillful application and manipulation of dense sonic textures with a genuine feel for   [ read more ]

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VINYL FORMAT. 7" vinyl only -no legal downloads of these tracks are available. These three tracks are based on eight different guitar recordings made at Amann Studios, Vienna, between 2005-2007. The acoustic guitar was recorded with an AKG C12 microphone. Other sounds were made using a Fender Stratocaster and a Vox AC15 amp. The 7" is part of the Touch Sevens 7" vinyl-only series, which began with Oceanus Pacificus by Chris Watson (TS 002EP).

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VINYL FORMAT. Christian Fennesz is a pioneer. He's responsible for establishing the laptop computer as both a compositional tool and a concert instrument. Subsuming electro-acoustic strategies into a bedrock of pop, he terraforms vast new worlds of sound, within which both AMM and The Beach Boys can cozily co-exist.

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VINYL FORMAT. Christian Fennesz lives and works in Paris and Vienna. Plays was originally released as a 7" vinyl by Mego in 1998 and a CD single by Moikai in 1999. It is seen by many as the "turning point" between early Fennesz electronic abstract works such as the Instrument 12" and Hotel Paral.lel CD, and the more guitar-based works such as Endless Summer and Venice. The two tracks, "Paint It Black" and "Don't Talk (Put Your Head On My Shoulder)," were initially released   [ read more ]

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