Interpol

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Although formed during the late '90s, Interpol rose to international attention in 2002 as part of New York City's post-punk revival. The group took its cues from Joy Division and the Chameleons, fashioning a darkly atmospheric sound helmed by intricate guitars and Paul Banks' somber baritone. Interpol also had a striking visual presence marked by the members' fondness for suits, which only strengthened their stately, British-influenced appeal. Nevertheless, the band remained rooted in America, where guitarist Daniel Kessler and drummer Greg Drudy first str...[more]

 

 

VINYL FORMAT. At some point early on, someone decided to start comparing this New York trio to Joy Division, which makes sense, given the mannered, precise fashion in which the group builds tension and (sometimes) releases it, and for the fact that Paul Bank's voice occasionally approaches the depths of Ian Curtis' thick baritone. These comparisons began snowballing and eventually turned to accusations of cloning. This is a horribly nearsighted way of viewing the band; a Joy Division comparison is only one    [ read more ]

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VINYL FORMAT. The follow-up to their mega-successful debut is no less brooding and intense, but it's now charged with flashes of color and romance. Antics infuses Interpol's dark musical landscapes with new optimism. Vanity Fair called it "achingly beautiful...explores emotional blues, but never, ever plays the blues," while Interview said it's "dark, hypnotic, and immensely catchy." Around here, we just call it great.

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