Interpol

ARTIST MAINARTIST INFORELATED ARTISTSLINKSREVIEWS

Although formed during the late '90s, Interpol rose to international attention in 2002 as part of New York City's post-punk revival. The group took its cues from Joy Division and the Chameleons, fashioning a darkly atmospheric sound helmed by intricate guitars and Paul Banks' somber baritone. Interpol also had a striking visual presence marked by the members' fondness for suits, which only strengthened their stately, British-influenced appeal. Nevertheless, the band remained rooted in America, where guitarist Daniel Kessler and drummer Greg Drudy first str...[more]

 

 

This import single contains the album versions of 'Say Hello to the Angels' and 'NYC,' plus the 2001 demo version of 'NYC.' A nice little starter for those curious about Interpol, and an even better collector's item for established fans.

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'C'mere' is the latest single from Antics featuring two B-sides on one of which features one of four tracks remixed by each of the band members. TRACKLIST: 'C'mere', 'Public Pervert (Carlos D remix)' and ' Fog vs. Mould for the Length of Love.'

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Single from Indie Giants' second album Antics.

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Two brand new remixes features Obstacle 1 (Arthur Baker's Return To New York Mix-Edit) and Obstacle 1 (Black Session)

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Interpol was created in New York City in 1998. The original line-up of the band was Greg on drums, Daniel on guitar, Paul on vox and guitar, and Carlos on bass. Between '98 and 2000, the four lads forged a unique sound in a variety of the city's decrepit and shady rental rehearsal rooms. Paying by the hour, they cultivated a unique aesthetic and developed their notoriously delicate and complicated creative process. In 2000, Greg and the band split leaving Daniel, Paul, and Carlos with a significant and refl   [ read more ]

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At some point early on, someone decided to start comparing this New York trio to Joy Division, which makes sense given the mannered, precise fashion in which the group builds tension and (sometimes) releases it, and the fact that Paul Bank's voice occasionally approaches the depths of Ian Curtis' thick baritone. These comparisons began snowballing and eventually turned to accusations of cloning. This is a horribly nearsighted way of viewing the band; a Joy Division comparison is only one of many that can be   [ read more ]

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'Slow Hands' is the first single from theInterpol album Antics. Includes album version of 'Slow Hands' backed with a remix of the song by Britt Daniel (of Spoon) plus an additional remix by Dan The Automator.

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The follow-up to their mega-successful debut is no less brooding and intense, but it's now charged with flashes of color and romance. Antics infuses Interpol's dark musical landscapes with new optimism. Vanity Fair called it 'achingly beautiful...explores emotional blues, but never, ever plays the blues,' while Interview said it's 'dark, hypnotic, and immensely catchy.' Around here, we just call it great.

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The follow-up to their mega-successful debut is no less brooding and intense, but it's now charged with flashes of color and romance. Antics infuses Interpol's dark musical landscapes with new optimism. Vanity Fair called it 'achingly beautiful...explores emotional blues, but never, ever plays the blues,' while Interview said it's 'dark, hypnotic, and immensely catchy.' Around here, we just call it great.

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In some of the most austere yet deluxe packaging known to man, or at least the history of the record industry, Interpol's collection of 4 remixes from Antics, one by each member of the band, makes its debut as an EP under the title Interpol Remix. These 4 remixes were previously available on the bonus disc to Antics: The Special Edition, and were also spread across the B-sides of various import singles.

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Interpol was created in New York City in 1998. The original line-up of the band was Greg on drums, Daniel on guitar, Paul on vox and guitar, and Carlos on bass. Between '98 and 2000, the four lads forged a unique sound in a variety of the city's decrepit and shady rental rehearsal rooms. Paying by the hour, they cultivated a unique aesthetic and developed their notoriously delicate and complicated creative process. In 2000, Greg and the band split leaving Daniel, Paul, and Carlos with a significant and refl   [ read more ]

Buy Now MP3 $3.15

 

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