This is a collaboration between Randall Fuxa and Barry 7 from Add N to (X), two crazy instrumentals.

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Exploring similar landscapes to Frank Zappa -minus the virtuoso elements - Liverpool-?based a.P.A.t.T. are a bewildering and completely original two to seven piece band, utilizing all available genres to create a daft and beautiful music. Black and White Mass sets a new standard in home entertainment, featuring some of a.P.A.t.T.'s most accessible compositions to date, whilst still retaining an element of surprise. Some bands are just damned impossible to classify: a.P.A.t.T. are a (usually) 6-?piece   [ read more ]

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Hornet Leg, the new Northwest fuzz harbingers in tune with the 'heavy,' identify the primal symbolisms of blood as fear, death and paradoxically, life. 'The Blood Trilogy' condenses the full length concept album into three potent tracks of pure unsentimental, raw energy. Expertly engineered by Calvin Johnson at the Dub Narcotic Studios, these recordings are an immediate grab to the throat but leave a haunting grip to the ear. The arterial guitar and voice of Chris Sutton (Dub Narcotic, C.O.C.O) is the jugul   [ read more ]

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Don't call it a comeback. Bridge Out!, the first release in almost a decade by the duo of saxophonist Paul Flaherty and percussionist Randall Colbourne, is better thought of as a renewal, a reawakening of a collaboration which has lain dormant for too long. Joining forces in the late 1980s, these two New Englanders released over a dozen uncompromising and outlaw styled albums of avant garde jazz on their own and other labels that have since vanished into legend. Since then, Flaherty has expanded acro   [ read more ]

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Schlammpeitziger, master of the Casio and inventor of almost unending song-titles, is back. After interim-activities such as remixing Depeche Mode, a 'Best of Schlammpeitziger'-release ('Collected Simplesongs Of My Temporary Past') on Domino, Tokuma & Thrill Jockey and appearances at several festival, the likeable man from Cologne releases his fifth album. Few contemporary electronic acts have developed such a distinctive aural handwriting as Schlammpeitziger. On Everything Without All Inclusive, Sc   [ read more ]

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Giantess, formerly known as The Battles, are a rock n' roll band from Vancouver, British Columbia. Stephen Wood formed the group in 1997 to record and perform his songs, and in the ten years since has experienced a shift in personnel that has seen members of Destroyer, New Pornographers, Black Mountain and Precious Fathers pass through the ranks. The new album, Giantess, is an exercise in profundity. Veering wildly from accelerated rave-ups to introspective ballads that tug at the heart (often with tongue   [ read more ]

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The longest running punk, indie and rock compilation in history.

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Long regarded as one of the best live acts in New York, Oakley Hall has finally delivered on the promise of its collective talent and the energy of its live shows with the masterpiece Gypsum Strings, their second full-length record of 2006 (!) and their first on Brah Records. While the first, Second Guessing, established Oakley Hall as one of the premier roots rock bands in the land, Gypsum Strings turns the volume way up and the traditions on their heads.

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The tragic virtue of folk music is its earnestness. That is, while honesty and openness are clearly good things in many contexts, too many songs about the need to save the rainforests or spreading your love around can quickly wear on the nerves. Raleigh's Bowerbirds, a couple plus a friend who have just put out their debut album, manage to keep the virtue without any tragedy. An accordion, a big thumpy bass drum (marching band-style), some pretty guitar that echoes into the far reaches of what sounds like a   [ read more ]

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Live, their music is total spastic bliss. A complete sugar high freak out. Smiles all around - like Christmas morning, riding roller coasters, triple dips. But it's not easy to emulate the spirit and energy of the Baltimore foursome's live show on CD. Yet the outcome of this, their second release, truly embodies the spirit of the band's live gigs. Complex yet pop, raw yet refined, heavy yet sweet, Ice Cream Spiritua' needs to be blasted while standing.

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