The Mars Volta

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Picking up the pieces from At the Drive-In, Cedric Bixler-Zavala and Omar Rodriguez-Lopez formed the Mars Volta and wasted little time branching out into elements of hardcore, psychedelic rock, and free jazz that expanded on the boundaries of their previous work. Although their previous band's demise ultimately arrived before they were able to truly capitalize on their mounting commercial triumphs, the Mars Volta immediately impressed with their willingness to eschew conventional logic and push themselves into new artistic directions instead of opting for ...[more]

 

 

The Mars Volta are continual contenders for the mantle of most experimental high-profile metal group, along with System of a Down, an artist they've toured with but who usually sell 20 times more records. Mars Volta aren't as popular, not because their riffs are less memorable or innovative but because their cycle of musical buildup and release, although similarly jarring, can last at least 20 minutes instead of System's two. (It's the difference between having a background in acid rock an   [ read more ]

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The Mars Volta are continual contenders for the mantle of most experimental high-profile metal group, along with System of a Down, an artist they've toured with but who usually sell 20 times more records. Mars Volta aren't as popular, not because their riffs are less memorable or innovative but because their cycle of musical buildup and release, although similarly jarring, can last at least 20 minutes instead of System's two. (It's the difference between having a background in acid rock an   [ read more ]

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The Mars Volta returns with a fresh dose of epic rock n' roll on its third studio album, Amputechture. The eight-track set is due September 12th via Universal and opens with the seven-minute "Vicarious Atonement," the closest the group has ever come to a ballad. The album then moves back to familiar expansive musical territory on the nearly 17-minute "Tetragrammaton," and also features two other tracks that clock in past the 11-minute mark, "Meccamputechture" and "Day of the Baphomets." The disc itse   [ read more ]

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This is a 20" x 26" poster for the April 10, 2008 The Mars Volta show at Austin Music Hall in Texas. It is a silkscreen print on heavy paper, hand-signed and numbered in an edition of 116.

Buy Now Poster $19.99

 

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It can't come as a surprise that the Mars Volta's fourth album opens with a bang -- sonic terrorism is one of the only things listeners can count on from the band -- but it's genuinely novel that The Bedlam in Goliath never lets go of its momentum, not even after a full hour's worth of unrelenting war on silence, the wrapping paper for a concept album about the power of the occult. On their first three proper albums, Cedric Bixler-Zavala and Omar Rodriguez-Lopez played games of quiet-loud   [ read more ]

Buy Now CD $43.68

 

 

 

 

 

It can't come as a surprise that the Mars Volta's fourth album opens with a bang -- sonic terrorism is one of the only things listeners can count on from the band -- but it's genuinely novel that The Bedlam in Goliath never lets go of its momentum, not even after a full hour's worth of unrelenting war on silence, the wrapping paper for a concept album about the power of the occult. On their first three proper albums, Cedric Bixler-Zavala and Omar Rodriguez-Lopez played games of quiet-loud   [ read more ]

Buy Now CD $32.28

 

 

 

 

 

It can't come as a surprise that the Mars Volta's fourth album opens with a bang -- sonic terrorism is one of the only things listeners can count on from the band -- but it's genuinely novel that The Bedlam in Goliath never lets go of its momentum, not even after a full hour's worth of unrelenting war on silence, the wrapping paper for a concept album about the power of the occult. On their first three proper albums, Cedric Bixler-Zavala and Omar Rodriguez-Lopez played games of quiet-loud   [ read more ]

Buy Now CD $59.83

 

 

 

 

 

It can't come as a surprise that the Mars Volta's fourth album opens with a bang -- sonic terrorism is one of the only things listeners can count on from the band -- but it's genuinely novel that The Bedlam in Goliath never lets go of its momentum, not even after a full hour's worth of unrelenting war on silence, the wrapping paper for a concept album about the power of the occult. On their first three proper albums, Cedric Bixler-Zavala and Omar Rodriguez-Lopez played games of quiet-loud   [ read more ]

Buy Now CD $56.03

 

 

 

 

 

When Omar Rodriguez-Lopez and Cedric Bixler-Zavala silenced At the Drive-In in the midst of its popular emergence, there was no question that the two artists would return with new music as exciting as their previous band. However, there was plenty of discussion in corners and over drinks about what, exactly, that music would sound like. It was clear that much more was happening under those Afros than biting, post-hardcore anthemics laced with psychedelia. In 2002, Rodriguez-Lopez an   [ read more ]

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A fully realized concept album inspired by the suicide of a close friend of Mars Volta founders Omar Rodriguez-Lopez and Cedric Bixler-Zavalas, "De-Loused in the Comatorium"'s narrative consists of fantastic worlds and adventures that Cedric imagines the friend experiencing while in a coma following an unsuccessful suicide attempt. Although the story ends tragically, the creators insist that this is a celebration of the adventurous and daring life that their friend lived. On this record, The Mar   [ read more ]

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This is a 24" x 34" poster for the December 31, 2008 The Mars Volta show. It is a three color print on black paper. A collaboration with Jared Connor, Gregg Gordon and Jim Mazza. Hand-signed and dated.

Buy Now Poster $49.99

 

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The Mars Volta's 2003 debut was a dense, experimental run-on sentence of science fiction and musical exploration. But though it ultimately rewarded patience with stretches of unbuckled rock & roll genius, De-Loused in the Comatorium was also a maze-like and obtuse migraine dealer that made people frustrated and crazy. For 2005's Frances the Mute, Omar Rodriguez-Lopez and Cedric Bixler-Zavala worked principally with their touring band, but "joining the band for selected moments" are strings   [ read more ]

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