Plastic Explosives contains 12 songs and a half-dozen interludes. It was produced by Beauty Pill's Chad Clark (who recently produced Wilderness' debut record) and the group at Silver Sonya and the legendary Inner Ear in Arlington, VA as well as in the Washington, D.C.-based band's National Crayon Museum studio. Plastic Explosives broadens the five-piece's signature "late-night" sound, marrying a mid-afternoon pop immediacy that evokes Simon and Garfunkel, the Shins, and the Dismemberment Plan    [ read more ]

CD $13.99

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"William of Orange," considered by The Caribbean to be their most "right" work yet, is a batch of five songs that expand far beyond their at-first-glance (and highly satisfying) pop sensibility. Following their 2003 full-length "History's First Know-It-All" (released by Tomlab and Endearing), this "mini-mini-album" takes lovely melodies off the beaten path and back again, visiting electronic experimentation, multi-instrument exaltation, and lyrical conjuration along the way. Produced in part   [ read more ]

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The Caribbean's pursuit of a musical career well-removed from the scene as such -- a part, yet apart -- is an understandable approach, finding the balance between living life and pursuing the muse. As backstory it adds a certain air to hearing their work but ultimately it must stand or fall on its own merits, and Populations shows again that the group is e   [ read more ]

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"William of Orange," considered by The Caribbean to be their most "right" work yet, is a batch of five songs that expand far beyond their at-first-glance (and highly satisfying) pop sensibility. Following their 2003 full-length "History's First Know-It-All" (released by Tomlab and Endearing), this "mini-mini-album" takes lovely melodies off the beaten path and back again, visiting electronic experimentation, multi-instrument exaltation, and lyrical conjuration along the way. Produced in part   [ read more ]

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Plastic Explosives contains 12 songs and a half-dozen interludes. It was produced by Beauty Pill's Chad Clark (who recently produced Wilderness' debut record) and the group at Silver Sonya and the legendary Inner Ear in Arlington, VA as well as in the Washington, D.C.-based band's National Crayon Museum studio. Plastic Explosives broadens the five-piece's signature "late-night" sound, marrying a mid-afternoon pop immediacy that evokes Simon and Garfunkel, the Shins, and the Dismemberment Plan    [ read more ]

MP3 $9.99

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