INSOUND EXCLUSIVE REISSUE! BACK IN PRINT FOR THE FIRST TIME IN TWENTY YEARS. VINYL FORMAT. Strictly limited to 1,000 copies! Originally released in 1989, "I'll Be You" was the first single from The Replacements' superb full-length Don't Tell A Soul. This 7" also contains a non-LP B-side, "Date To Church", featuring vocal accompaniment from none other than the legendary Tom Waits. Featuring the albums' original artwork and repressed using the master files. A highly limit   [ read more ]

7" $7.99

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This is a black The Replacements shirt in a size EXTRA LARGE featuring the cover of the album Tim.

X-Large Shirt $19.99

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This is a black The Replacements shirt in a size SMALL featuring the cover of the album Tim.

Small Shirt $19.99

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This is a black The Replacements shirt in a size LARGE featuring the cover of the album Tim.

Large Shirt $19.99

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This is a black The Replacements shirt in a size MEDIUM featuring the cover of the album Tim.

Medium Shirt $19.99

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Battered and broken from the debacle of Don't Tell a Soul -- the album's failure to take off, followed by a disastrous tour supporting Tom Petty & the Heartbreakers -- the Replacements were on their last legs when it came time for 1990's All Shook Down, so worn down that the band ceased to exist for most intents and purposes. Paul Westerberg even began recording the album as a solo project with R.E.M. producer Scott Litt, gradually turning it into the final Replacements album. It may   [ read more ]

CD $18.03

All of the slick production of Pleased to Meet Me couldn't prepare listeners for the glossy sound of Don't Tell a Soul, the Replacements' last-ditch attempt at mainstream success. Bathed with washes of synthesizers, shining guitars, backing vocals and a shimmering, AOR production, Don't Tell a Soul puts an end to the Replacements and begins Paul Westerberg's solo career. The bulk of the songs are self-consciously mature, as Westerberg looks back on his career (the autobiographical {&   [ read more ]

CD $18.03

All things considered, Tim was an easy transition to the majors for the Replacements, at least as far as the making of the album goes: things went wrong after the release, as the band botched big showcases like its {#Saturday Night Live} spot, leading up to the dismissal of Bob Stinson at the conclusion of the Tim tour. The dust hadn't settled when the 'Mats headed down to Memphis to record Pleased to Meet Me with producer Jim Dickinson at Ardent Studios -- or to phrase it in    [ read more ]

CD $18.03

Moving to a major label was inevitable for the Replacements: they garnered too much acclaim and attention after Let It Be to stay on Twin/Tone, especially as the label faced the same distribution problems that plagued many indies in the mid-'80s -- plus, the 'Mats' crosstown rivals, Hnsker Dn, made the leap to the big leagues, paving the way for their own hop over to Sire. The Replacements may have left Twin/Tone behind but they weren't quite ready to leave Minneapolis in the dust, c   [ read more ]

CD $18.03

After emerging from and defining the Minneapolis music scene of the early 1980s and issuing a series of seminal releases on Twin/Tone, The Replacements signed to Sire Records in 1985. All Shook Down, a stripped-down, largely acoustic set first released in 1990, was their last album for the label, and proved to be their final one as a band as well. While it features lead singer and songwriter Paul Westerberg still making music with his fellow founding members Chris Mars (drums) and Tommy Stinson (bass   [ read more ]

MP3 $10.49

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VINYL FORMAT. Insound Staff Pick - 2009! Let It Be made the Replacements into college radio and critical favorites, leading the group to a major-label contract with Sire. The band's major-label debut, Tim, does represent a bit of a compromise of the group's garage punk sound. Producer Tommy Erdelyi (formerly of the Ramones) helped clean up the band's sound, primarily by harnessing the rhythm section to a click track -- no longer does the band thrash all over the place, they keep a ste   [ read more ]

LP $17.99

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VINYL FORMAT. Bob Stinson was kicked out of the Replacements after Tim, allegedly because he was unwilling to make the musical leap forward necessary for Pleased to Meet Me. With Stinson left the band's hardcore roots, leaving behind the conflicting desires of Paul Westerberg's wish to be a serious singer/songwriter and for the group to become either the Faces or Big Star. The full-blown production works on the horn- and string-drenched "Can't Hardly Wait," but it makes other tracks irritating   [ read more ]

LP $17.99

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