Matthew Dear

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It didn't take long for Ann Arbor, MI's Matthew Dear to catapult himself into the front rank of microhouse producers, emerging in the early 2000s with a string of high-quality releases for Spectral Sound, Plus 8, and Perlon (under several aliases). Born and raised in Texas, Dear first discovered electronic music at age 16; he later attended the University of Michigan, where he met future Ghostly International label founder Sam Valenti IV. He started DJing at parties and eventually moved into production. In late 1999, he and Daisha teamed up to delive...[more]

 

 

Matthew Dear's Asa Breed finds the Detroit-based electronic artist achieving new artistic heights ? it's more robust, more accessible, and yet still undeniably Matthew Dear. Incorporating his uniquely crafted textures alongside international rhythmic influences, plus a lyrical storytelling element from his Texas upbringing, Asa Breed is a completely unique musical experience. With each track on this album, Dear tells a unique story about life and human relationships with his rich b   [ read more ]

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Matthew's eagerly-awaited Body Language mix is a very personal selection, and one which reflects his own artistic interests, concerns and strategies. In a sense, he approached the project literally, seeking to explore aspects of both the "body" and "language" in his selection and ultimately achieve a marriage of the two. Matthew's celebrated 2007 album Asa Breed was remarkable in its organic synthesis of vocals and house grooves, and that same synthesis lies at the heart of this mix; if you li   [ read more ]

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Slick, varied production - under his own name and the aliases Jabberjaw, False and Audion - relentless touring, and the backing of Ann Arbor's super-industrious Ghostly International label have made 27-year-old Texan Matthew Dear part of electronic music's elite. Recording on Perlon, M_nus and Ghostly offshoot Spectral Sound, he spans a multitude of sub genres, none accurately capturing his style. He was named 'Artist of the Year' by agenda-setting music title XLR8R in 2004, his music was described as "inte   [ read more ]

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Asa Breed furthers a seemingly happenstance shift to electronics-based indie pop that began on 2003's Leave Luck to Heaven and continued on 2004's Backstroke. Where the vocal tracks on those two albums sounded as if they began as instrumentals and just happened to benefit from lyrics and melodies thought up after the fact, there is an apparent deliberate attempt here at making songs. "Deserter" is the greatest example of Matthew Dear's gradual development as a writer, one of the most affec   [ read more ]

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