Neil Young

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After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic. From the beginning of his solo career in the late '60s until the late '90s, he never stopped writing, recording, and performin...[more]

 

 

Special edition CD + DVD combo-pak DVD includes 17 live songs from the Massey Hall concert; hi-res stereo audio because sound matters. From the Neil Young performance series archives Available for the first time The acclaimed 1971 solo acoustic Massey Hall performance Featuring 17 tracks-over one hour of music. "This is the album that should have come out between After the Gold Rush and Harvest. David Briggs, my producer, was adamant that this should be the record, but I was very excited about    [ read more ]

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Now greet the arrival of Sugar Mountain- Live At Canterbury House 1968, another singular installment in the continuing Neil Young Archives Performance Series. On this CD+DVD set, recorded in Ann Arbor, MI, November 9-10, just days before the release of Young's self titled solo debut, one of the greatest singer-songwriters in rock history is heard solo and acoustic at the height of one of the must tumultuous and creative periods ever experienced both in music and culture.

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CD edition contains eight discs, each in its own custom sleeve, with a total of 116 tracks. All are presented in HDCD quality sound! This set features over 40 previously unreleased songs, versions, mixes, and rare tracks. It is housed in a custom disc keeper. Includes a 238 page, hard-bound "journal" featuring childhood photos, memorabilia, clippings, Neil's recollections, a foldout archives poster, and more! This is the first volume of the Neil Young Archives, produced by Neil Young himse   [ read more ]

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Even within the unpredictable Neil Young discography, this qualifies as one of his most unpredictable efforts. This soundtrack to the Jim Jarmusch film Dead Man is entirely instrumental, with the exception of some poetry read by Johnny Depp (who stars in the film) and a bit of dialogue. What's more, these untitled instrumental passages are dominated by subterranean guitar rumbles that manage to sound both grungy and subdued. Young also takes care to vary his approach a bit, switching occai   [ read more ]

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Rock and Roll Hall of Famer Neil Young is stirring things up again. This time he is rolling on down the road not only with an auto-centric concept album but with his own electric ride. Fork In The Road, whose largely eco-car-themed songs he debuted in concert during the past year, will get a promotional push from the 1959 Lincoln Continental Young has converted to hybrid technology and which he plans to drive to Washington D.C. With Fork In The Road as current as today's headlines,   [ read more ]

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Rock and Roll Hall of Famer Neil Young is stirring things up again. This time he is rolling on down the road not only with an auto-centric concept album but with his own electric ride. Fork In The Road, whose largely eco-car-themed songs he debuted in concert during the past year, will get a promotional push from the 1959 Lincoln Continental Young has converted to hybrid technology and which he plans to drive to Washington D.C. With Fork In The Road as current as today's headlines,   [ read more ]

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Produced by "The Volume Dealers," NY and Niko Bolas, the recording runs 60+ minutes and includes two giant songs that time in at 18:30 and 13:00, respectively. Drawing from three songs written previously, and 7 new songs, the latest Neil Young is a very diverse recording. A release date is unknown at this time. The title is Chrome Dreams II. Chrome Dreams is a legendary NY album from 1977 that had originally been scheduled for release but was shelved. The original cover for Chrome Dreams    [ read more ]

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In 1984, Geffen Records sued Neil Young on the grounds that he had submitted uncharacteristic, uncommercial records to the label. By the time a settlement had been reached, Young had been on the road with a country band called the International Harvesters for over a year and recorded a revamped version of Old Ways, a 1982 recording originally rejected by Geffen that was cut in the style of Harvest and Comes a Time, but with a stronger country leaning. Young depends heavily o   [ read more ]

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Since Prairie Wind is a return to the soft, lush country-rock sound of Harvest; since Neil Young suffered a brain aneurysm during its recording; since it finds the singer/songwriter reflecting on life and family in the wake of his father's death; and since it's his most cohesive album in a decade, it would seem that all these factors add up to a latter-day masterpiece for Young, but that's not quite the case. Prairie Wind manages to be less than the sum of its parts and the problem isn't a   [ read more ]

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On his songs for Buffalo Springfield, Neil Young had demonstrated an eclecticism that ranged from the rock of "Mr. Soul" to the complicated, multi-part arrangement of "Broken Arrow." On his debut solo album, he continued to work with composer/arranger Jack Nitzsche, with whom he had made "Expecting to Fly" on the Buffalo Springfield Again album, and together the two recorded a restrained effort on which the folk-rock instrumentation, most of which was by Young, overdubbing himself   [ read more ]

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The virtue of the "unplugged" concept pioneered by MTV was that it provided a forum for rock musicians to reinterpret their work without using rock's favorite instrument, the electric guitar. But by 1993, the unplugged sessions were serving as another way of creating product without coming up with anything really new, thus joining live albums, greatest-hits albums, and covers albums. Neil Young, who has always alternated between rock and folk approaches to his music anyway, would not seem    [ read more ]

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Following the 1973 Time Fades Away tour, Neil Young wrote and recorded an Irish wake of a record called Tonight's the Night and went on the road drunkenly playing its songs to uncomprehending listeners and hostile reviewers. Reprise rejected the record, and Young went right back and made On the Beach, which shares some of the ragged style of its two predecessors. But where Time was embattled and Tonight mournful, On the Beach was savage and, ultimately, triumphant. "I'm a vampire,   [ read more ]

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