Richard Swift

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Singer/songwriter Richard Swift's lo-fi, sepia-tone style harks back to the Tin Pan Alley age. Born in 1977, the California native spent his youth locked in his room with a four-track recorder, a device that -- along with a computer -- the artist continues to utilize to this day. Influenced by everyone from Bob Dylan to early-'70s dub acts like the Congos and Lee Perry, he has provided keyboards for shoegazers Starflyer 59 and released two records of his own, Walking Without Effort and The Novelist, both of which were reissued on Secretly Canadian...[more]

 

 

The Novelist - Swift's highly acclaimed, succinct, eight song, nineteen minute and thirty-eight second-long, audiophile archivist experiment - immediately ushers the listener deep into the recesses of Swift's creative core for a kaleidoscopic trip aboard an intergalactic vaudevillian steamship with a speakeasy code-word. Yet, The Novelist is only one small manifestation of Swift's entire musical manifesto and only one-half of this double-disc set. Walking Without Effort - t   [ read more ]

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Employing an archaic attitude of tempered restraint on a fresh collection of ten songs, without appearing shamelessly retro or kitschy. Swift leads the faithful further into a melancholic world draped with colorful sonic landscapes. This is his first new material recorded since 2001 and is the follow-up to the re-release of his double CD The Novelist / Walking Without Effort in 2005. He's toured with My Morning Jacket, The Walkmen, Elbow, Josh Ritter, Jens Lekman, and Earlimart, earning a reputation    [ read more ]

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Celebrated for his lo-fi, experimental melanges saluting genres from doo-wop to lush American pop, Swift adds jaunty synthesizers and Motown soul to make this, his fourth release, his most danceable record to date. Recommended if you like Wilco, M. Ward, My Morning Jacket, Ryan Adams.

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The double-EP Richard Swift as Onasis is as creatively fortifying as it is unhinged and unpolished, a primal slab thrown into the fire for dancing and merriment during the chilly months while we await Richard Swift's second full-length. Once upon a time, the idea of a record was to capture a performance, to grab those undulating wavelengths from the air and stick them to this thing that went round and round, so later on that performance could be heard and felt and experienced again. So it's no surpri   [ read more ]

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Genre-hopping Minnesota-based pop auteur Richard Swift's The Atlantic Ocean is more of an "official" follow-up to 2007's Dressed Up for the Letdown than the double shot of Music from the Films of R/Swift (under the pseudonym Instruments of Science and Technology) and the cathartic but nearly unlistenable Richard Swift as Onasis. Where the latter two releases felt like "Hail Marys" tossed into the musical ether, Ocean serves as a return to the kind of sharp-tongued, Beatlesque retr   [ read more ]

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