Nadja

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Based in Toronto, this ambient doom/metal/electronic duo was the brainchild (and originally the solo project) of Aidan Baker. Already a prolific musician who had released a number of works with labels worldwide -- including a vast catalog of CD-R only releases -- Baker used Nadja to explore the darker aspects of his musical soul. Taking on vocalist and bass player Leah Buckareff allowed the expansion of Nadja's sound, as well as the ability to play live. Established in 2003, Nadja's early releases followed the pattern already established by Baker, that is to ...[more]

 

 

A 4 song delve into the deepest recesses of the back of your mind. Aidan Bakers Doom/drone project takes on a more visceral attack on this EP and channels some earlier hardcore elements to give these songs an incredibly intense feel while not abandoning what Nadja has always been about. We could not be more thrilled to start of with this release and feel Nadja has delivered their strongest work to date.

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Nadja is a duo of Aidan Baker and Leah Buckareff from Toronto, Canada creating what has been called "ambient doom" - music that combines elements of metal, shoegaze, ambient, post-rock, experimental, and neo-classical. This is a covers album where Nadja adds their mark of wondrous atmospheric journey through shoegazing passion and drone-line heaviness to songs by their favorite artists.

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The latest from Canadian outsider metal duo Nadja--Aidan Baker and Leah Buckareff. Mixing the heavy dronedelics of Earth, Sunn O))) and Boris with influences from the dark ambient and electronica scenes, the band mix beauty and heaviness with masterful results.

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Profound Lore's second collaboration with Nadja comes in the form of the re-vamped, augmented, and altered Bliss Torn From Emptiness. Given the ultimate facelift from its original CDR release, and now expanded into a massive three track plunge (with a mastering job via James Plotkin), Bliss Torn From Emptiness is a sprawling and meticulously crafted epic where controlled ambience and static crawls through a murk of claustrophobic cerebral chaos. Yet through the sprawling mass of overbearing fe   [ read more ]

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Trembled has returned, triumphantly, after being released by Utech Records [046] in the summer of 2006 on limited CD-R. The principal live recordings from Toronto have been remixed/remastered and include a rare performance of Swans 'No Cure for the Lonely.' The core of the release, though, is 'Tremble,' a cascading improvisation of drift and atmospherics revealed to audiences on an occasional basis. The track is telling of the fluidity with which Nadja create and why the band has become so highly reg   [ read more ]

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Dirge-like metal riffs and heavy, minimal percussion with ethereal melodicism and something of a shoegazer aesthetic, creating a swirling amorphous wall of sound that strives to be both obliterating and uplifting. Three tracks with a running time of 80 minutes.

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The Canadian ambient doom band Nadja returns with Radiance of Shadows, the follow-up to their critically acclaimed Touched release. Radiance of Shadows is a mammoth monster of a record, spanning well over an hour with three tracks that are more epic and heavier than ever. Nadja's constantly increasing fan base will not be disappointed with this outing; it's classic Nadja. Radiance of Shadows has the feel of the super-saturated and dense recordings favoured by the likes of Fennesz a   [ read more ]

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