Parenthetical Girls

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A group that has cautiously moved from the bedroom recording studio to the stage, Parenthetical Girls began as an amateur recording project by two longtime friends, rock writer Zac Pennington and part-time musician Jeremy Cooper. Indulging in a shared fondness for British post-punk, Brian Eno, and Phil Spector, the two began creating eccentric but playful indie rock tunes in 2002 on a lo-fi eight-track recording setup dominated by glockenspiel, a cheap synthesizer, and a guitar that refused to stay in tune. Calling their collaboration "Swastika Girls" (...[more]

 

 

Begun as a home recording project amongst former childhood friends in the failed mill town of Everett, Washington, USA (a place considerably less romantic than that manipulative phrasing is meant to suggest), the membership of Parenthetical Girls?in mutual disinterest and indifference?quietly chipped away at itself until only one particularly under-qualified member, singer and relative non-musician Zac Pennington, remained. As long on ambition as he was short on musical aptitude, Pennington willed what was    [ read more ]

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Parenthetical Girls' third album and first for Tomlab is an eleven song linear narrative of moral ambiguities, set to an elaborately orchestrated olio of modern classical and timeworn, traditional American pop forms. They borrow from the string swept sentimentality of Van Dyke Parks, Scott Walker, Jack Nitzsche, and Burt Bacharach, then introduce the influence of more formidable strains of modern classical composers such as Krzysztof Penderecki, Philip Glass, and Gavin Bryars. The result is a confluence of    [ read more ]

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VINYL FORMAT. Parenthetical Girls' third album and first for Tomlab is an eleven song linear narrative of moral ambiguities, set to an elaborately orchestrated olio of modern classical and timeworn, traditional American pop forms. They borrow from the string swept sentimentality of Van Dyke Parks, Scott Walker, Jack Nitzsche, and Burt Bacharach, then introduce the influence of more formidable strains of modern classical composers such as Krzysztof Penderecki, Philip Glass, and Gavin Bryars. The result is a    [ read more ]

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The latest from Pacific Northwest pop group the Parenthetical Girls -- Zac Pennington and Dead Science members Sam Mickens and Jherek Bischoff (who also is a regular contributor to Xiu Xiu and Casiotone for the Painfully Alone). Beginning where their previous (Grrrls) album left off -- on the same sweat-and-menstrual-blood-soaked summer lawn -- the album takes a sonic leap forward, pitting Pennington's plainspoken and startlingly corporeal apparitions with kitchen sink experimentation and dark pop arrangeme   [ read more ]

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VINYL FORMAT. Featuring the title track, a non-album track entitled "Afterwords", and an alternate, "Untangled" version of "This Regrettable End".

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A remastered and repackaged reissue of the debut release from Pacific Northwest electro-pop duo Parenthetical Girls. Seven tracks performed with bass synthesizer, ill-tuned guitar, analog tape delay, and glockenspiel, and presented as two radically different versions--one mixed by Jamie Stewart of Xiu Xiu, the other by Jherek Bischoff of Dead Science. Fourteen tracks in all.

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Parenthetical Girls' third album and first for Tomlab is an eleven song linear narrative of moral ambiguities, set to an elaborately orchestrated olio of modern classical and timeworn, traditional American pop forms. They borrow from the string swept sentimentality of Van Dyke Parks, Scott Walker, Jack Nitzsche, and Burt Bacharach, then introduce the influence of more formidable strains of modern classical composers such as Krzysztof Penderecki, Philip Glass, and Gavin Bryars. The result is a confluence of    [ read more ]

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Featuring the title track, a non-album track entitled 'Afterwords', and an alternate, 'Untangled' version of 'This Regrettable End'.

Buy Now MP3 $3.15

 

Other people also bought:

Modest Mouse  A Life of Arctic SoundsElliott Smith  Division DayBig Black  He's a Whore

 

 

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