When the rock histories of the 2000s are written, at least one long chapter will have to be written about the explosion of the concept of the rock band not as a small, discrete unit with relatively stable personnel, but as an amorphous, free-floating collective that could at times expand to include literally dozens of people. Canada's Broken Social Scene and the pan-European ensemble the Envelopes are perhaps the best-known examples, but I'm from Barcelona -- who, naturally, are actually from the small, picturesque, but not at all Catalan city of Jonkoping, Sweden ...[more]