Marnie Stern

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It wasn't until she was 23, when she heard Sleater-Kinney for the first time, that Marnie Stern's life began to the take her in the direction of the noise and punk-inspired experimental rock that would later define her music. She soon began learning finger-tapping techniques on her electric guitar and began assiduously practicing and recording songs until she had enough for a demo. Stern sent the tape to Kill Rock Stars, which immediately signed the young singer/guitarist to their 5RC imprint. The folding of the company, after the departure of founder {$Sl...[more]

 

 

Full Title: This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That. Marnie Stern's second release is a pop record for an alternate dimension, where hooks and choruses are sent careening through a cracked kaleidoscope. It's also deeply personal compared to the conceptual leanings of her previous work. One of Venus magazine's 'Greatest Female Guitarists of All Time.'

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Marnie's songs contain a staggering number of layers, each one winding its way around the others, then counterpointed by her feminine, echoing, powerful vocals. Despite the artful pretensions of some of her influences (Sleater-Kinney, Hella, Boredoms, Melt Banana), her lyrics are her secret weapon. Every line has an understated elegance floating above the mind-numbingly complex guitar work. What makes Stern better than any other tech guitar wizards is her uncanny ability to transform the most complicated gu   [ read more ]

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