The Helio Sequence

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The Portland-based duo Helio Sequence is comprised of vocalist/guitarist Brandon Summers and keyboardist/drummer Benjamin Weikel. Debuting in 1999 with an ambient, psychedelic sound that placed as much emphasis on the guitar as Summers' muted vocals, the band issued the Accelerated Slow-Motion Cinema EP before dropping the full-length Com Plex in 2000. Helio Sequence's 100 percent home studio approach allowed for a lot of sonic experimentation, and that aesthetic informed the swirls and layers of their evolving sound. When it did touch the ground, it was at p...[more]

 

 

After three albums and ten years of touring and recording, The Helio Sequence deliver their most dynamic work to date. This record marries the Portland duo's signature layered keyboards and impossibly big guitars with crisp songwriting and a newfound appreciation for minimalism.

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From the quiet confines of Portland suburb Beaverton, one doesn't expect an explosion of blistering ambience to emerge, but that is precisely what the debut album from the Helio Sequence creates. Following a self-released EP, Brandon Summers and Benjamin Weikel holed up in the one room music store from which both collect their regular paychecks and returned with this lovely, challenging full-length, engineered, produced, mixed, and mastered by the duo themselves. With Summers playing guitar and    [ read more ]

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On their second album, the Helio Sequence essay a full swirl of two-man band sound, combining dense electric textures in which the voice is just another hazy element with atmospheric keyboards, guitar, and electronic effects. Indeed, the lyrics are about as hard to comfortably detect in the mix as they are to read in the sleeve, in which the type is so faded and the color scheme contrasted so that squinting is inevitable. The lyrics are general statements of alienated wishes for individuality that manage   [ read more ]

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The Helio Sequence's first two albums were dense, exciting blasts of noise, melody, and electronic wildness that seemed to jump out of the speakers. Their third album, Love and Distance, is still fairly loud, dreamy rock, but the wall of sound has been pared back and the vocals have been brought to the forefront. Instead of dreamily floating along with the waves of noise, now Brandon Summers grittily shouts over the top. The guitars no longer howl and crash about; they are layered caref   [ read more ]

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The Helio Sequence's first two albums were dense, exciting blasts of noise, melody, and electronic wildness that seemed to jump out of the speakers. Their third album, Love and Distance, is still fairly loud, dreamy rock, but the wall of sound has been pared back and the vocals have been brought to the forefront. Instead of dreamily floating along with the waves of noise, now Brandon Summers grittily shouts over the top. The guitars no longer howl and crash about; they are layered caref   [ read more ]

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