The Dutchess & the Duke

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While Jesse Lortz and Kimberly Morrison have both done time in some of Seattle's most rough-and-tumble garage punk combos, the two found themselves receiving international acclaim in 2008 for their debut album as the Dutchess & the Duke, in which they turned their attention to acoustic guitars and a cool but honest folk-rock-influenced sounds that recall the work of Leonard Cohen, Bob Dylan, and the Rolling Stones. Lortz and Morrison first met in high school, where they shared an enthusiasm for beer, junk food, and punk rock, and in time both became ...[more]

 

 

The Dutchess and the Duke's sophomore record, Sunrise/Sunset, is a slump-dodging opus that takes the dark, draw beauty of the band's debut and scales it up to distinctly luminescent heights, thanks to a graceful synthesis of painfully earned creative maturity and thoughtful production under Ashley's adroitly tuned ears. Though minor chords and romantically morose lyrical yarns about misplaced affections and spiritual inertia remain touchstones, there's a refreshing undercurrent of optimis   [ read more ]

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Compared to Between The Buttons-era Stones, Dylan, and Leonard Cohen, The Dutchess & The Duke's songs mark a turning point for Kimberly Morrison and Jesse Lortz. Each song touts magnetic guitar lines and vocals so straightforward that they belie all other intricacies. 'By taking tonal cues from darker, acid-tinged '60s pop and sweetening it with just the right amount of meticulously constructed harmonies, they are managing to pull off one of the trickier combinations in songwriting - soun   [ read more ]

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