Pixies
Combining jagged, roaring guitars and stop-start dynamics with melodic pop hooks, intertwining male-female harmonies and evocative, cryptic lyrics, the Pixies were one of the most influential American alternative rock bands of the late '80s. The Pixies weren't accomplished musicians -- Black Francis wailed and bashed out chords while Joey Santiago's lead guitar squealed out spirals of noise. But the bandmembers were inventive, rabid rock fans who turned conventions inside out, melding punk and indie guitar rock, classic pop, surf rock, and stadium...[more]
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THIS ITEM IS A PRE-ORDER. WE EXPECT IT TO SHIP ON OR BEFORE THE NOVEMBER 6TH RELEASE DATE. A must have for any Pixies fan! This is a deluxe box-set retrospective spanning the career of one of indie music's most celebrated bands. The deluxe edition of Minotaur is curated by legendary graphic designer Vaughan Oliver who, in connection with photographer Simon Larbalestier, created the album artwork for all five of the Pixies' studio albums. Oliver and Larbalestier have teamed up once a [ read more ]
6xCD $183.99
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After 1988's brilliant but abrasive Surfer Rosa, The Pixies' sound couldn't get much more extreme. Their Elektra debut, Doolittle, reins in the noise in favor of pop songcraft and accessibility. Producer Gil Norton's sonic sheen adds some polish, but Black Francis' tighter songwriting focuses the group's attack. Doolittle's most ferocious moments, like "Dead," a visceral retelling of David and Bathsheba's affair -- are more stylized than the group's past outbursts. Meanwhile, their poppy side surfaces on th [ read more ]
CD $10.99
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One of the most compulsively listenable college rock albums of the '80s, The Pixies' 1988 full-length debut "Surfer Rosa" fulfilled the promise of "Come On Pilgrim" and, thanks to Steve Albini's production, added a muscular edge that made their harshest moments seem even more menacing and perverse. On songs like "Something Against You," Black Francis' cryptic shrieks and non-sequiturs are backed by David Lovering and Kim Deal's punchy rhythms, which are so visceral that they'd overwhelm any guitarist except [ read more ]
CD $12.99
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During their six years together, The Pixies released five albums to fan, peer, and critical acclaim. This new 23-track best of CD runs almost chronologically and expands on the previous comp, "Death To The Pixies" with a couple B-sides, the live favorite "Into The White," and a cover of Neil Young's "Winterlong." Packaging includes a deluxe full-color 16-page booklet. Track listing: 1. Bone Machine 2. Nimrod's Son 3. The Holiday Song 4. Caribou 5. Broken Face 6. Gigantic - (single version) [ read more ]
CD $13.99
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Like the rest of 4AD's Pixies retrospectives, "Complete B-Sides" is equally exciting and frustrating: Many of their B-sides are just as good as their album tracks, so it's terrific to see them collected onto a single disc. "Complete B-Sides" kicks off with a ferocious version of "River Euphrates" from the Gigantic single. Witty, spooky Doolittle B-sides like "Manta Ray," "Weird at My School," and "Into the White" are so good that it's a shame they weren't saved for Bossanova, when the band really could have [ read more ]
CD $12.99
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The title might be French for "fool the world," but with "Trompe Le Monde," the Pixies weren't fooling anyone: this was essentially Black Francis' solo debut. It focuses on Francis' sci-fi fascination and lacks any Kim Deal songs; even her backing vocals are far and few between. Yet the band sounds revitalized on "Trompe Le Monde," as if it was planned as their last hurrah. The raucous "Distance Equals Rate Times Time" and the explosive cover of the Jesus & Mary Chain's "Head On" are fairly straightforward, [ read more ]
CD $10.99
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Amazingly, The Pixies' 1987 debut EP, Come On Pilgrim, was compiled from the quickly, inexpensively made demo tape -- paid for by Black Francis' dad -- the band made at Boston's legendary Fort Apache studio soon after they formed. 4AD was so taken with the tape that they released eight of the songs as this mini-album. It's easy to see why they were so impressed: The Pixies' essential sound -- Francis' unearthly shriek of a voice, David Lovering's propulsive drumming, Joey Santiago's insistent, prickl [ read more ]
CDep $10.99
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When Bossanova arrived in 1990, it reflected the exhaustion The Pixies felt after Doolittle's enormous success: For the first time, the band seems to be running out of ideas. Tellingly, Kim Deal contributes no songs, having formed The Breeders to give her work an outlet; that summer, their debut Pod won a warmer response than Bossanova received. Arguably The Pixies' weakest album -- though Francis has said it's his favorite -- most of it finds the band in fine form. Gil Norton's spacious, reverb-heavy produ [ read more ]
CD $10.99
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Between 1988 and 1991, the Pixies performed six sessions at the BBC, playing on a variety of programs. For years, these sessions were hot bootleg items, especially since their first session for John Peel (on May 3, 1988) featured two otherwise unreleased covers -- the Beatles' "Wild Honey Pie" and "(In Heaven) Lady in the Radiator Song," from Eraserhead. It took Elektra/4AD until 1998 to release the six sessions, and when the 15-track Pixies at the BBC did appear, it was a mixed blessing. Certainly, the mus [ read more ]
CD $12.99
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After 1988's brilliant but abrasive Surfer Rosa, the Pixies' sound couldn't get much more extreme. Their Elektra debut, Doolittle, reins in the noise in favor of pop songcraft and accessibility. Producer Gil Norton's sonic sheen adds some polish, but Black Francis' tighter songwriting focuses the group's attack. Doolittle's most ferocious moments, like "Dead," a visceral retelling of David and Bathsheba's affair -- are more stylized than the group's past outbursts. Meanwhile, t [ read more ]
SUPER-AUDIO CD $28.48
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One of the most compulsively listenable college rock albums of the '80s, the Pixies' 1988 full-length debut Surfer Rosa fulfilled the promise of Come on Pilgrim and, thanks to Steve Albini's production, added a muscular edge that made their harshest moments seem even more menacing and perverse. On songs like "Something Against You," Black Francis' cryptic shrieks and non sequiturs are backed by David Lovering and Kim Deal's punchy rhythms, which are so visceral that they'd overwhe [ read more ]
SUPER-AUDIO CD $28.48