Steeping an album in classic Motown and other R&B sounds of the late '60s and early '70s may not be the wildest maneuver in 2008, but throughout Sol-Angel, there is a kind of frolicsome adventurousness that is singular and undeniable, even when Solange lets loose with the sourness and addresses her false public image. In spots, it sags, and a couple tracks seem more like sketches than neatly bundled songs, yet it's one of the year's more entertaining and easily enjoyable R&B releases, fronted by some   [ read more ]

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