Bad Religion

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Out of all of the Southern Californian hardcore punk bands of the early '80s, Bad Religion stayed around the longest. For over a decade, they retained their underground credibility without turning out a series of indistinguishable records that all sound the same. Instead, the band refined their attack, adding inflections of psychedelia, heavy metal, and hard rock along the way, as well as a considerable dose of melody. Between their 1982 debut and their first major-label record, 1993's Recipe for Hate, Bad Religion stayed vital in the hardcore community by ti...[more]

 

 

?The third in a flurry of releases that followed Bad Religion's 1988 reunion, Against the Grain found the band's edge honed sharper than it had been in years. Epitaph's 2004 remaster respects this. Increased clarity between mouthpiece Greg Graffin, guitarists Brett Gurewitz and Greg Hetson, and the rhythm section of Jay Bentley and Pete Finestone increases the inherent melodic tension and amplifies Graffin's righteous lyrical anger.My path renewed/Against the grain/That's where I'll stay --    [ read more ]

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The third in a flurry of releases that followed Bad Religion's 1988 reunion, Against the Grain found the band's edge honed sharper than it had been in years. Epitaph's 2004 remaster respects this. Increased clarity between mouthpiece Greg Graffin, guitarists Brett Gurewitz and Greg Hetson, and the rhythm section of Jay Bentley and Pete Finestone increases the inherent melodic tension and amplifies Graffin's righteous lyrical anger. "My path renewed/Against the grain/That's where I   [ read more ]

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Another title for All Ages might be The Best of Bad Religion Before Recipe for Hate. Which makes sense: Since the band's last two LPs, Recipe and [ read more ]

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Another title for All Ages might be "The Best of Bad Religion Before Recipe for Hate." Which makes sense: Since the band's last two LPs, Recipe and Stranger Than Fiction, are owned and distributed by Atlantic, this is a great overview of the band's prior six albums for those who only got into the band since the major label got involved. Here's another good title Epitaph could have considered: "Embarrassment of Riches." Though it encompasses 23 pretty frickin' amazing, tuneful, punk/{   [ read more ]

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In 2004, Bad Religion supplemented a magazine of reissues with one in the chamber called The Empire Strikes First. Given the state of affairs and activism of peers like NOFX's Fat Mike, it's natural for Greg Graffin, Brett Gurewitz, and company to point their measured seethe and trademark erudition against shady politics and policies of preemptive security. "We strike first and we're unrehearsed/Here we go again to stage the greatest show on heaven and earth," the title track rants. But {$   [ read more ]

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Generator demonstrates an improved sense of melody from Greg Graffin, which doesn't mean Bad Religion have abandoned their blistering hardcore inclinations. Instead, the band has managed to incorporate melody wi   [ read more ]

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This 2004 edition of Generator is part of a bulk of remastered and/or expanded Bad Religion material from Epitaph. Like its tweaked brethren, the digitally revitalized Generator is louder overall, and more crisp. The newfound clarity gives the whip crack of anthems like "Too Much to Ask," "Tomorrow," and "Chimaera" even more bite, accentuates the grit in Greg Graffin's famously vitriolic vocals, and even makes his self-made harmonies clearer. Musically, Generator is a perfect succ   [ read more ]

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It's a testament to a band that their weakest work is still this great. There's no question that the loss of guitarist Brett Gurewitz hurts the band. Gurewitz had a hot, edgy sound, and wrote half the songs, including all four singles off 1994's stunning Stranger Than Fiction. Losing such an awesome talent would cripple most groups. Fortunately, the other writer, extraordinary vocalist Greg Graffin, remains. He too has penned so many of Bad Religion's most memorable songs, and one can now add   [ read more ]

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It's a testament to a band that their weakest work is still this great. There's no question that the loss of guitarist Brett Gurewitz hurts the band. Gurewitz had a hot, edgy sound, and wrote half the songs, including all four singles off 1994's stunning Stranger Than Fiction. Losing such an awesome talent would cripple most groups. Fortunately, the other writer, extraordinary vocalist Greg Graffin, remains. He too has penned so many of Bad Religion's most memorable songs, and one can now add   [ read more ]

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Listening to Bad Religion's 1982 debut , How Could Hell Be Any Worse?, is like cupping your ear against the garage door of their practice space. Greg Graffin's vocal style isn't fully formed here, nor is his lyrical agenda, but the building blocks are significant a   [ read more ]

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This 2004 version of Bad Religion's 1982 debut takes the place of 80-85, which had previously accounted for the group's earliest output. Fully remastered (as Epitaph has done for a bulk of early BR releases), the set includes the first LP's full track listing, as well as the first three EPs. The expanded booklet features a full lyric sheet, reprints of the EP cover art, and a great photo collage that's as informative a scene history as any wordy liner retrospective would be. The energy in those    [ read more ]

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Todd Rundgren may seem like an odd choice of producer for Bad Religion, but as The New America illustrates, it was an inspired, even necessary, one for the veteran Californian punkers. Bad Religion painted themselves into a corner in the late '90s, adhering to the literate, hard-driving punk that marked their indie releases. That may have kept them pure, but as they grew older, they wound up repeating many of their musical ideas, while losing some of their focus. Rundgren blends his talents a   [ read more ]

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