Butthole Surfers

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Arguably the most infamously named band in the annals of popular music -- for years, radio found their moniker unspeakable, and the press deemed it unprintable -- Butthole Surfers long reigned among the most twisted and depraved acts ever to bubble up from the American underground. Masters of calculated outrage, the group fused the sicko antics of shock rock with a distinct and chaotic mishmash of avant-garde, hardcore, and Texas psychedelia; sleazy, confrontational, and spiteful, songs like "The Revenge of Anus Presley," "Bar-B-Q Pope," and {&"The Shah Sl...[more]

 

 

VINYL FORMAT. Finally back in print! This is where it all began for these acid casualty reality trippers. Brown Reason To Live is their very first release; it came out in 1983. Here it is on vintage thick wax. 12" vinyl, seven song EP - their first classic slab, and still as crazed and lysergic as ever! P.S. And the answer to the timeless question, "what speed is this meant to be played on?" It's meant to be played at 69 rpm, of course! (But if your turntable doesn't have a "69" setting, t   [ read more ]

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'There's a time to fuck and a time to crave, but the shah sleeps in Lee Harvey's grave.' So begins The Butthole Surfers' first song on their first record, a tune that paid tribute to and killed American hardcore once and for all while single-handedly ushering in a new Post-Everything era. This legendary Butthole Surfers EP was made by a couple of young ex-accountants with bad hair, who, despite Yankee reviewers' claims, had never even heard Captain Beefheart or Faust. Mixing Flipper with fart jokes doesn'   [ read more ]

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"There's a time to fuck and a time to crave, but the shah sleeps in Lee Harvey's grave." So begins The Butthole Surfers' first song on their first record, a tune that paid tribute to and killed American hardcore once and for all while single-handedly ushering in a new Post-Everything era. This legendary Butthole Surfers EP was made by a couple of young ex-accountants with bad hair, who, despite Yankee reviewers' claims, had never even heard Captain Beefheart or Faust. Mixing Flipper with fart jokes doesn'   [ read more ]

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On Electriclarryland, their second major-label album, the Butthole Surfers continue the streamlined direction they began with Independent Worm Saloon, which basically means it's a loud guitar rock album. Even though there's potential for the record to become unnecessarily generic, it's to the Buttholes' credit that they still have the desire to throw enough bizarre wrenches into the machinery to keep most of their diehard audience satiated. Certainly, Electriclarryland will sound way too tame   [ read more ]

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The final album for the Surfers' legendary run on Touch and Go got a reception probably not even the band figured on -- lead reviews in major music magazines, increasingly higher profiles, and more. As it is, though, Hairway is actually a touch lazy in comparison to the previous releases, sometimes sounding almost all too normal. When it connects, though, Steven works wonders, whether continuing in the punk/psychedelic fusion vein of the past or exploring a gentler, tuneful side. The lengthy o   [ read more ]

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SOUND SAVER. The final album for the Surfers' legendary run on Touch and Go got a reception probably not even the band figured on -- lead reviews in major music magazines, increasingly higher profiles, and more. As it is, though, Hairway is actually a touch lazy in comparison to the previous releases, sometimes sounding almost all too normal. When it connects, though, Steven works wonders, whether continuing in the punk/psychedelic fusion vein of the past or exploring a gentler, tuneful side.    [ read more ]

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Humpty Dumpty L.S.D. is an odd assortment of tracks that span the career of these psychedelic nightmare-weavers, from their early days of cockroaches and megaphones to their more refined and radio-friendly period.

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Die-hard Butthole Surfers fans are often compelled to own every rare recording that they can dig up, and this disc is one that they will be foaming at the mouth over. Humpty Dumpty L.S.D. is an odd assortment of tracks that span the career of these psychedelic nightmare-weavers, from their early days of cockroaches and megaphones to their more refined and radio-friendly period. A number of songs were initially released on a variety of hard-to-find compilations, such as "Eindhoven Chicken Mask,"    [ read more ]

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After Pioughd's semi-misfire and Rough Trade's subsequent collapse, the Surfers were in a surprising position. Not only were they courted and signed to Capitol thanks to the Nirvana-led alternative explosion, they also got high-profile arranger and Led Zeppelin legend John Paul Jones to produce the new album. When Saloon surfaced in early 1993, some accused the band of basically cloning Haynes' memorable collaboration with Ministry, "Jesus Built My Hot Rod," for the entire a   [ read more ]

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VINYL FORMAT. Limited edition green vinyl! Finally back in print! This is where it all began for the Butthole Surfers. The Live PCPPEP is their second release; it came out in 1984. Here it is on vintage thick wax; still as crazed and lysergic as ever! The EP was recorded live in a bar in their hometown of San Antonio and released as a follow-up to their Brown Reason to Live 12". These acid-casualty reality trippers paid tribute to and killed American hardcore once and for all while single-   [ read more ]

Buy Now LP $10.99

 

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The aural equivalent of a nightmarish acid trip and arguably the band's best album (or worst, depending on your point of view), Locust Abortion Technician tops the psychedelic, artsy sonic experimentation of Rembrandt Pussyhorse while keeping one foot planted    [ read more ]

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The aural equivalent of a nightmarish acid trip and arguably the band's best album (or worst, depending on your point of view), Locust Abortion Technician tops the psychedelic, artsy sonic experimentation of Rembrandt Pussyhorse while keeping one foot planted firmly in the gutter. The record veers from heavy Sabbath sludge (even parodying that band on "Sweat Loaf") to grungy noise rock to progressive guitar and tape effects to almost folky numbers in one big, gloriously schizophrenic me   [ read more ]

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