The Clash's self-titled U.K. debut sees the band in its most primal, punk form. Despite Mickey Foote's low-key, lo-fi production, Strummer, Jones, Simonon, and Chimes mesh and unite with a snarling ferocity and energy. Raw, bouncy edginess pours out of each song, with new hooks popping out at odd angles by the second. The band isn't satisfied lingering in any one genre. "Remote Control" mixes Kinks-style fractured pop with pace changes lifted straight from Chuck Berry. {&   [ read more ]

CD $33.23

The Clash's self-titled U.K. debut sees the band in its most primal, punk form. Despite Mickey Foote's low-key, lo-fi production, Strummer, Jones, Simonon, and Chimes mesh and unite with a snarling ferocity and energy. Raw, bouncy edginess pours out of each song, with new hooks popping out at odd angles by the second. The band isn't satisfied lingering in any one genre. "Remote Control" mixes Kinks-style fractured pop with pace changes lifted straight from Chuck Berry. {&   [ read more ]

CD $7.59

Never Mind the Bollocks may have appeared revolutionary, but the Clash's eponymous debut album was pure, unadulterated rage and fury, fueled by passion for both rock & roll and revolution. Though the clichT about punk rock was that the bands couldn't play, the key to the Clash is that although they gave that illusion, they really could play -- hard. The charging, relentless rhythms, primitive three-chord rockers, and the poor sound quality give the album a nervy, vital energy. {$Joe St   [ read more ]

CD $7.59

Clash on Broadway is a fine triple-disc, 63-song box set covering the Clash's entire career. Although there are very few rarities, it does include all of the band's important songs, including cuts that were only available on EPs, singles, and B-sides. As a result, it's a useful box set even for dedicated fans, presenting the band's evolution in a logical fashion. Nevertheless, compilations don't always suit the Clash well because The Clash and London Calling were powerful individual works in    [ read more ]

CD $47.48

CD $20.88

CD $17.08

In 2004, the folks at Sony repackaged the Clash's self-titled debut, London Calling, and Combat Rock in a three-disc longbox. In 2005, they decided to save on packaging and reissued the very same set in a slipcase as part of its Collection series. The merits of the records are well known to anyone who has spent any time listening to the band. In characteristic Sony fashion, they released these three together perhaps because they were the most commercially successful titles the band ever re   [ read more ]

CD $28.48

In 2004, the folks at Sony repackaged the Clash's self-titled debut, London Calling, and Combat Rock in a three-disc longbox. In 2005, they decided to save on packaging and reissued the very same set in a slipcase as part of its Collection series. The merits of the records are well known to anyone who has spent any time listening to the band. In characteristic Sony fashion, they released these three together perhaps because they were the most commercially successful titles the band ever re   [ read more ]

CD $28.48

VINYL FORMAT. One of the greatest rock/punk albums of all time! There are very few people in the world who haven't heard the songs on this recording. An awesome mix of straight punk rock and reggae songs. This album will make you sing along and shake your ass! Now the king told the boogie men...You have to let that raga drop...Rock The Casbah!

LP $19.99

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On the surface of things, Combat Rock appears to be a retreat from the sprawling stylistic explorations of London Calling and Sandinista! The pounding arena rock of "Should I Stay or Should I Go" makes the Clash sound like an arena rock band, and much of the album boasts a muscular, heavy sound courtesy of producer Glyn Johns. But things aren't quite that simple. Combat Rock contains heavy flirtations with rap, funk, and reggae, and it even has a cameo by poet {$Allen Gin   [ read more ]

CD $7.59

On the surface of things, Combat Rock appears to be a retreat from the sprawling stylistic explorations of London Calling and Sandinista! The pounding arena rock of "Should I Stay or Should I Go" makes the Clash sound like an arena rock band, and much of the album boasts a muscular, heavy sound courtesy of producer Glyn Johns. But things aren't quite that simple. Combat Rock contains heavy flirtations with rap, funk, and reggae, and it even has a cameo by poet {$Allen Gin   [ read more ]

CD $33.23

CD $6.64