The Pretenders

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Over the years, the Pretenders became a vehicle for guitarist/vocalist Chrissie Hynde's songwriting, yet it was a full-fledged band when it was formed in the late '70s. With their initial records, the group crossed the bridge between punk/new wave and Top 40 pop more than any other band, recording a series of hard, spiky singles that were also melodic and immediately accessible. Hynde was an invigorating, sexy singer who bent the traditional male roles of rock & roll to her own liking, while guitarist James Honeyman-Scott created a sonic palate filled with...[more]

 

 

VINYL FORMAT. Think of this long awaited studio album as if it were the first Pretenders record: musical turf that's defined by attitude, lyrical and melodic mastery, and the unexpected - and Chrissie Hynde's voice as you've always known it. Break up the Concrete is an authentic slice of rock Americana, ranging from blistering punk to the most delicate storytelling as told by the queen of rock royalty herself.

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Think of this long awaited studio album as if it were the first Pretenders record: musical turf that's defined by attitude, lyrical and melodic mastery, and the unexpected - and Chrissie Hynde's voice as you've always known it. Break up the Concrete is an authentic slice of rock Americana, ranging from blistering punk to the most delicate storytelling as told by the queen of rock royalty herself.

Buy Now CD $19.99

 

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The Pretenders' eighth studio album, Loose Screw, is their first on an independent label after 20 years with Warner, but the switch hasn't made any difference in the group's style. It may have seemed to listeners that later albums softened the band's mainstream rock sound in an attempt to restore commerciality, especially when professional songwriters Billy Steinberg and Tom Kelly began writing with group leader Chrissie Hynde. (They co-wrote the Pretenders' comeback hit single, 1994   [ read more ]

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Few rock & roll records rock as hard or with as much originality as the Pretenders' eponymous debut album. A sleek, stylish fusion of Stonesy rock & roll, new wave pop, and pure punk aggression, Pretenders is teeming with sharp hooks and a viciously cool attitude. Although Chrissie Hynde establishes herself as a forceful and distinctively feminine songwriter, the record isn't a singer/songwriter's tour de force -- it's a rock & roll album, powered by a unique and aggress   [ read more ]

Buy Now CD $25.63

 

 

 

 

 

The Pretenders' eighth studio album, Loose Screw, is their first on an independent label after 20 years with Warner, but the switch hasn't made any difference in the group's style. It may have seemed to listeners that later albums softened the band's mainstream rock sound in an attempt to restore commerciality, especially when professional songwriters Billy Steinberg and Tom Kelly began writing with group leader Chrissie Hynde. (They co-wrote the Pretenders' comeback hit single, 1994   [ read more ]

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Chrissie Hynde rebounds from the directionless Packed! with Last of the Independents, a tough album that proves she can mature without losing her edge. Most of the record crackles with the lean power of Learning to Crawl, occasionally stopping for a lushly produced number recalling Get Close. Although the record goes on a little too long and there are a couple of weak songs, particularly the anthemic "I'm a Mother," Last of the Independents re-establishes Hynde as a powerful and insi   [ read more ]

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Produced by Mitchell Froom, Packed! includes a cover of Hendrix's "May This Be Love" and "When Will I See You," a collaboration with guitarist Johnny Marr. ~ Stephen Thomas Erlewine, All Music Guide

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Few rock & roll records rock as hard or with as much originality as the Pretenders' eponymous debut album. A sleek, stylish fusion of Stonesy rock & roll, new wave pop, and pure punk aggression, Pretenders is teeming with sharp hooks and a viciously cool attitude. Although Chrissie Hynde establishes herself as a forceful and distinctively feminine songwriter, the record isn't a singer/songwriter's tour de force -- it's a rock & roll album, powered by a unique and aggress   [ read more ]

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The Pretenders' 1987 collection, The Singles, did a fine job of assembling most of the group's finest tracks up to that point in their career, so after another decade passed, their record company felt it was necessary to compile a more "updated" collection, 2000's Euro-only release Greatest Hits. Although it contains a total of 20 tracks, Greatest Hits ultimately fails to improve over its predecessor, for the simple fact that the early '80s was the Pretenders' artistic and commercial peak, an   [ read more ]

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In the first edition of the Pretenders, Chrissie Hynde was a smart and streetwise rock & roller with just enough maturity to make something of what life had shown her by her mid-twenties -- and she had the rough-and-tumble band to match for her first two albums. The second version of the group cast her as an unwitting but unbowed survivor, determined to move on and keep rocking despite the deaths of two of her bandmates, and the tough, no-nonsense approach of her new collaborators on {^Learning to Cra   [ read more ]

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Chrissie Hynde took a long, hard road to rock & roll stardom, but when her band, the Pretenders, finally broke through in 1979, they wasted no time, growing from promising newcomers on the British music scene to major international stardom with a pair of smash albums to their credit in a mere three years. But the Pretenders' meteoric rise came to a crashing halt in 1982, when drug abuse claimed the life of guitarist James Honeyman-Scott and forced Hynde and drummer Martin Chambers to du   [ read more ]

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The Pretenders' second album received a much-deserved upgrade in the fall of 2006, as Rhino reissued it as a double-disc set containing a remastered version of the original album on the first disc and a wealth of rarities on the second. If this bonus disc pales in comparison to the bonus disc on the reissue of The Pretenders, it's because it packs few revelations or unexpected rarities among its 18 tracks. Which isn't to say that there's a lot of familiar recordings here: all but two of the tracks    [ read more ]

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