The Replacements

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The Replacements initially formed in 1979, when Paul Westerberg joined a garage punk band formed by brothers Bob (guitar) and Tommy Stinson (bass) and drummer Chris Mars. Originally called the Impediments, the Minnesota residents changed their name to the Replacements after being banned from a local club for disorderly behavior. In their early days, they sounded quite similar to Hnsker Dn, the leaders of the Minneapolis punk scene. However, the Replacements were wilder and looser than the Hnskers and quickly became notorious for their drunken, ...[more]

 

 

INSOUND EXCLUSIVE REISSUE! BACK IN PRINT FOR THE FIRST TIME IN TWENTY YEARS. VINYL FORMAT. Strictly limited to 1,000 copies! Originally released in 1989, "I'll Be You" was the first single from The Replacements' superb full-length Don't Tell A Soul. This 7" also contains a non-LP B-side, "Date To Church", featuring vocal accompaniment from none other than the legendary Tom Waits. Featuring the albums' original artwork and repressed using the master files. A highly limit   [ read more ]

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Released in '84, it features classics including "I Will Dare," "Androgynous," "Sixteen Blue" and "Unsatisfied," and was recently named the #3 Greatest Indie-Rock album ever by Blender. Among the six bonus tracks are five previously unreleased gems including a home demo for "Answering Machine," an alternate take of "Sixteen Blue" and a cover of The Grass Roots' "Temptation Eyes."

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After emerging from and defining the Minneapolis music scene of the early 1980s and issuing a series of seminal releases on Twin/Tone, The Replacements signed to Sire Records mid-decade. The first of their four now-classic full-lengths for the label, Tim was also the band's last album fueled by the legendary original line-up of lead singer and songwriter Paul Westerberg, Chris Mars (drums) and brothers Bob and Tommy Stinson (guitar and bass, respectively). Rhino's newly remastered and expanded editio   [ read more ]

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VINYL FORMAT. Insound Staff Pick - 2009! Let It Be made the Replacements into college radio and critical favorites, leading the group to a major-label contract with Sire. The band's major-label debut, Tim, does represent a bit of a compromise of the group's garage punk sound. Producer Tommy Erdelyi (formerly of the Ramones) helped clean up the band's sound, primarily by harnessing the rhythm section to a click track -- no longer does the band thrash all over the place, they keep a ste   [ read more ]

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VINYL FORMAT. Bob Stinson was kicked out of the Replacements after Tim, allegedly because he was unwilling to make the musical leap forward necessary for Pleased to Meet Me. With Stinson left the band's hardcore roots, leaving behind the conflicting desires of Paul Westerberg's wish to be a serious singer/songwriter and for the group to become either the Faces or Big Star. The full-blown production works on the horn- and string-drenched "Can't Hardly Wait," but it makes other tracks irritating   [ read more ]

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This is a black The Replacements shirt in a size EXTRA LARGE featuring the cover of the album Tim.

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This is a black The Replacements shirt in a size MEDIUM featuring the cover of the album Tim.

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After emerging from and defining the Minneapolis music scene of the early 1980s and issuing a series of seminal releases on indie label Twin/Tone, The Replacements signed to Sire Records in 1985. Their fifth full-length and second for a major label, Pleased to Meet Me was also the band's first following the official departure of guitarist Bob Stinson, part of the legendary founding line-up that also included lead singer and songwriter Paul Westerberg, Chris Mars (drums) and Tommy Stinson (bass). Rhin   [ read more ]

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This is a black The Replacements shirt in a size SMALL featuring the cover of the album Tim.

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This is a black The Replacements shirt in a size LARGE featuring the cover of the album Tim.

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The ragged and glorious alt-rock of The Replacements made them one of the greatest and most iconic American bands of the 1980s, and inspired countless groups to come. Fronted by lead singer, pianist/guitarist, and principal songwriter Paul Westerberg, these heroes of post-punk/pre-grunge rock 'n' roll fused garage band greatness with powerful pop beauty. Fueled by both thrashing energy and a lyrical and emotive sonic flow, The Replacements' kamikaze live shows and richly textured albums made them music lege   [ read more ]

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The band's thrashing 1980 debut, introduced classics including "Takin' A Ride," "Shiftless When Idle," "Customer" and "Johnny's Gonna Die." Thirteen bonus tracks open with the four previously unreleased songs that won The Replacements their Twin Tone contract plus an alternative version of "Customer," the rehearsal "Basement Jam," studio demos, outtakes and more.

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