Meat Beat Manifesto

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Beginning in 1987 as an experimental/industrial duo inspired by the cut-and-paste attitudes of hip-hop and dub, Meat Beat Manifesto increasingly became a vehicle for its frontman, Jack Dangers, to explore the emerging electronics of techno, trip-hop, and jungle. Though the group was initially pegged as an industrial act (simply appearing on Wax Trax! was enough to do the trick), its approach to studio recordings influenced many in the new electronica community during the 1990s, even while Dangers remained a superb producer working in much the same way. Born {$John Cor...[more]

 

 

Meat Beat Manifesto albums have always been delightfully upfront and attention-grabbing, but "...In Dub 5.1 Surround" places the listener right at the beating heart of the action like never before. Finally an audio format that does true justice to the soundclashing sorcery of Meat Beat Manifesto! As Meat Beat Manifesto's Jack Dangers says of the 5.1 Surround Sound format: "To be able to position a sound anywhere between six speakers is very liberating and inspiring...I've got different pieces coming out of   [ read more ]

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A Meat Beat Manifesto album is a special thing, since it usually manages to encompass the styles of other acts while still having a distinct voice of its own. Satyricon features the sample-trippy goofiness of the Orb, the sharp, rock-flavored house of the Chemical Brothers, the streamlined trance of Orbital, and the well-oiled angst of Nine Inch Nails, and that's just for starters. Long-term frontman Jack Dangers truly has a producer's ear, which gives his blend of dance music    [ read more ]

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This four-track mini-album contains hip-hop and dub-inflected remixes of three early singles plus the new track "Re-Animator." ~ John Bush, All Music Guide

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For Meat Beat Manifesto's tenth album, Autoimmune, Jack Dangers takes listeners on an exhilarating aural exploration of the past, present, and future, rampaging across genres along the way. "International" and its counterpart "International Reprise" set the stage and bookend the album with their round-the-world radio IDs and cut-and-paste samples injecting rock guitar and glossy organ stabs with a hint of dub rubbing up against the brusk backbeat. It's the perfect synopsis of much of {$   [ read more ]

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Jazz composer/arranger/theorist George Russell used to explain his piece "Dimensions" as "a sequence of freely associated moods indigenous to jazz." Same could be said about At the Center but this time the person doing the free associating doesn't come from the world of jazz, at least not as far as his previous records have let on. As Meat Beat Manifesto, Jack Dangers has been responsible for some of the most in-your-face dance music available, recorded for the seminal {\industria   [ read more ]

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