Stereolab
Combining an inclination for melodic '60s pop with an art rock aesthetic borrowed from Krautrock bands like Faust and Neu!, Stereolab were one of the most influential alternative bands of the '90s. Led by Tim Gane and Laetitia Sadier, Stereolab either legitimized forms of music that were on the fringe of rock, or brought attention to strands of pop music -- bossa nova, lounge-pop, movie soundtracks -- that were traditionally banished from the rock lineage. The group's trademark sound -- a droning, hypnotic rhythm track overlaid with...[more]
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ABC Music, the two-disc, 32-track compilation of Stereolab's BBC Radio 1 sessions from July 1991 to August 2001, is a surprisingly illuminating and listenable set. Although this may come as a shock to some casual listeners, Stereolab can be a ferocious live band, and their trademark blend of Krautrock, easy listening, and Brazilian influences (in different proportions throughout their career) usually has an added aggressiveness in a live setting. This is particularly apparent on the earlie [ read more ]
CD $17.08
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VINYL FORMAT. Volume three of "Switched On." More goodness from the Mars Audiac era onward. Features all of the Amorphous Body Study Center EP!
3xLP $20.99
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Make your schleps to the Laundromat more enjoyable with this amazing Stereolab laundry bag in burgundy! Aside from the fact that this is the only cool laundry bag we've ever seen, it's also super limited.
Bag $14.99
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Loungefly Boombox Coin Purse, Bon Iver Blood Bank, John Frusciante The Empyrean
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VINYL FORMAT. Insound Staff Pick - 2008! Their eleventh album is a collection of purposefully short, dense, fast pop songs brimming with Motown-like drums, baroque-pop brass and string arrangements, and mellifluous vocal performances. It is, nonetheless, classic Stereolab; like all their best work, a perfect equipoise between an implausibly cool past and a shamelessly exotic future.
2xLP $17.99
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The Walkmen You & Me, Okkervil River The Stand Ins , Jim O'Rourke Eureka
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Their eleventh album is a collection of purposefully short, dense, fast pop songs brimming with Motown-like drums, baroque-pop brass and string arrangements, and mellifluous vocal performances. It is, nonetheless, classic Stereolab; like all their best work, a perfect equipoise between an implausibly cool past and a shamelessly exotic future.
MP3 $10.49
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Oppenheimer Take The Whole Midrange And Boost It, Uniform Dictionary Of Deconstructionists, Kill Creek Colors of Home
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Insound Staff Pick - 2008! Their eleventh album is a collection of purposefully short, dense, fast pop songs brimming with Motown-like drums, baroque-pop brass and string arrangements, and mellifluous vocal performances. It is, nonetheless, classic Stereolab; like all their best work, a perfect equipoise between an implausibly cool past and a shamelessly exotic future.
CD $13.99
Other people also bought:
Blitzen Trapper Furr , Deerhunter Microcastle , Le Volume Courbe I Killed My Best Friend
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All 15 songs were written by founding members Tim Gane and Laeticia Sadier, while recording and mixing was shared by the group and John McEntire and for the first time, Jim O'Rourke, whose string arrangements on the record are quite breathtaking.
MP3 $8.99
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Kill The Man Who Questions Number One Asshole, Havergal Crowd, Fischer Open Ground
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Stereolab took an unprecedented two years between 1997's Dots & Loops and 1999's Cobra and Phases Group Play Voltage in the Milky Night, as they tended to personal matters. For a band that churned out limited-edition singles and EPs, along with an annual album, between 1992 and 1997, complete silence was a complete change of pace, but they happened to pick a good time to go into seclusion. During those two years, Stereolab's brand of sophisticated, experimental post-rock didn't evolve too much, [ read more ]
CD $13.26
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Stereolab took an unprecedented two years between 1997's Dots & Loops and 1999's Cobra and Phases Group Play Voltage in the Milky Night, as they tended to personal matters. For a band that churned out limited-edition singles and EPs, along with an annual album, between 1992 and 1997, complete silence was a complete change of pace, but they happened to pick a good time to go into seclusion. During those two years, Stereolab's brand of sophisticated, experimental post-rock didn't evolve too much, [ read more ]
CD $32.77
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On Emperor Tomato Ketchup, Stereolab moved in two directions simultaneously -- it explored funkier dance rhythms while increasing the complexity of its arrangements and compositions. For its follow-up, Dots and Loops, the group scaled back its rhythmic experiments and con [ read more ]
MP3 $8.99
Other people also bought:
Kill The Man Who Questions Number One Asshole, Havergal Crowd, Fischer Open Ground
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On Emperor Tomato Ketchup, Stereolab moved in two directions simultaneously -- it explored funkier dance rhythms while increasing the complexity of its arrangements and compositions. For its follow-up, Dots and Loops, the group scaled back its rhythmic experiments and concentrated on layered compositions. Heavily influenced by bossa nova and swinging '60s pop, Dots and Loops is a deceptively light, breezy album that floats by with effortless grace. Even the segmented, 20-minute {&"Refractions in [ read more ]
CD $13.26