Portishead

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Portishead may not have invented trip-hop, but they were among the first to popularize it, particularly in America. Taking their cue from the slow, elastic beats that dominated Massive Attack's Blue Lines and adding elements of cool jazz, acid house, and soundtrack music, Portishead created an atmospheric, alluringly dark sound. The group wasn't as avant-garde as Tricky, nor as tied to dance traditions as Massive Attack; instead, it wrote evocative pseudo-cabaret pop songs that subverted their conventional structures with experimental pro...[more]

 

 

Insound Staff Pick - 2008! Imaginatively-titled third studio album from illustrious Bristolians whose 1994 debut "Dummy" broke trip-hop all over the world with its artful, haunting and melancholy fusion of torch song, sinister atmospherics and slowed-down hip-hop beats. Coming a full ten years after their last album, the live document 'PNYC', this record sees them going back to the source, digging in the crates for weird and wonderful samples from prog rock, free jazz, techno, industrial and funk on    [ read more ]

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Portishead's album debut is a brilliant, surprisingly natural synthesis of claustrophobic spy soundtracks, dark breakbeats inspired by frontman Geoff Barrow's love of hip-hop, and a vocalist (Beth Gibbons) in the classic confessional singer/songwriter mold. Beginning with the otherworldly theremin and martial beats of "Mysterons," Dummy hits an early high with "Sour Times," a post-modern torch song driven by a Lalo Schifrin sample. The chilling atmospheres conjured by Adrian Utley's    [ read more ]

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This 1995 Portishead release on Go! Beat is a double CD single set coupling the CD singles from the British trip hop act's debut album, 'Glory Box' and 'Sour Times.' The 'Sour' CD features 'Sour Sour Times', 'Lot More', 'Sheared Times', 'Airbus Reconstruction' & 'Theme From To Kill A Dead Man'; The 'Glory' CD contains two obvious mixes of 'Glory Box' (Edit & Mudflap Mix), plus 'Scorn', 'Sheared Box' and 'Toy Box'.

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Portishead's debut album, Dummy, popularized trip-hop, making its slow, narcotic rhythms, hypnotic samples, and film noir production commonplace among sophisticated, self-consciously "mature" pop fans. The group recoiled from such widespread acclaim and influence, taking three years to deliver its eponymous second album. On the surface, Portishead isn't all that dissimilar from Dummy, but its haunting, foreboding sonic textures make it clear that the group isn't interested in the crossover   [ read more ]

Buy Now CD $13.25

 

 

 

 

 

Portishead's debut album, Dummy, popularized trip-hop, making its slow, narcotic rhythms, hypnotic samples, and film noir production commonplace among sophisticated, self-consciously "mature" pop fans. The group recoiled from such widespread acclaim and influence, taking three years to deliver its eponymous second album. On the surface, Portishead isn't all that dissimilar from Dummy, but its haunting, foreboding sonic textures make it clear that the group isn't interested in the crossover   [ read more ]

Buy Now CD $43.68

 

 

 

 

 

Portishead's album debut is a brilliant, surprisingly natural synthesis of claustrophobic spy soundtracks, dark breakbeats inspired by frontman Geoff Barrow's love of hip-hop, and a vocalist (Beth Gibbons) in the classic confessional singer/songwriter mold. Beginning with the otherworldly theremin and martial beats of "Mysterons," Dummy hits an early high with "Sour Times," a post-modern torch song driven by a Lalo Schifrin sample. The chilling atmospheres conjured by Adrian Utley's    [ read more ]

Buy Now CD $43.68

 

 

 

 

 

By the end of the '90s, artists realized that CD and CD-R bootlegs of live performances were in high demand, which meant that they could profit by officially releasing certain "special" live performances. Portishead's one-night stand at New York City's Roseland Ballroom, released as PNYC, certainly qualifies as one of those "special" occasions. Performing with a 35-piece orchestra, Portishead runs through selections from its two albums, favoring its second slightly. On the surface, it doesn't se   [ read more ]

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