Amon Tobin

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Drum'n'bass deviant Amon Tobin fuses hip-hop and jazz compositional ideas with the bustling rhythms of hip-hop and jungle and the bent sonic mayhem of ambient and dub. Unlike rolling junglists such as Alex Reece and Wax Doctor, however, who draw from a softer, "cooler" brand of jazz, Tobin aims to maintain the heat of bop and free jazz, pairing spry, galloping basslines with complex trapset orchestration and shrill, screaming horns. A native of Brazil, Tobin moved to the U.K. in the mid-'80s, when hip-hop was beginning to take hol...[more]

 

 

Farther away from drum'n'bass and closer to big-beat techno (with a little turntablist mayhem thrown in), Amon Tobin's third album for Ninja Tune breaks out with a devastating opener, "Get Your Snack On." The track turns out to be just one of the highlights on Supermodified, a dense, plunderphonic kaleidoscope of an album with giant, noisy jazz breaks and groovy electronic synthwork. It's got quite a bit of the retro-sounding sampling of Permutation (orchestra strings, jazz combos, groovy psy   [ read more ]

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Amon Tobin's jazz-jungle fusions as Cujo (for upstart label Ninebar) earned him many props, but that began to change with his debut for Ninja Tune. Blurring the already vague line that separates jungle's rhythmic meditations from those of the hottest jazz (Elvin Jones, say, or Jaco Pastorius), Bricolage manages a difficult hybrid of heart, soul, atmosphere, and brain-bending plunderphonics that loses neither perspective nor direction over the course of the albums. Like his p   [ read more ]

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While the great majority of jazz-junglists look no farther back than the mid-'60s for inspiration (and samples), Tobin took his bag of tricks back into the swing era to come up with more (and more interesting) variations on the form than most anyone else. More Buddy Rich than Roy Ayers, Permutation sees leagues of different drum samples -- all of them found sounds-- with nary an Amen or Apache break in sight. From the detuned vibes and piano loops that drive the opener "Like Regular Chickens"   [ read more ]

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Refining his dense, virtuosic production style with virtually every release, Amon Tobin entered the vanguard of electronic producers by accomplishing one of the truly difficult tasks in modern electronica: developing a distinctive sound. Though Tobin prefers grand orchestral themes over a soup of heavily messed-with samples and cavernous beats that reference turntablist rap, funky breaks, and the hyper-efficient techno of Mouse on Mars, his style ranges much farther afield than any of t   [ read more ]

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The fourth installment of Solid Steel comes as a live Dj mix from none other than Amon Tobin ~ doing what he does best ~ blistering drum n' bass, monsterously heavy beats, and well placed insertion of classics. Includes several of his own tracks mixed in with the likes of Dizzee Rascal, Velvet Underground, Jurassic 5, Dj Food and more.

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Yes, not for the feint hearted, as soon as games giants, Ubisoft decided it was time to seriously raise the bar on computer game soundtracks they got on the case and set their sights on our very own Amon Tobin. What you get is an electronic record made almost entirely from acoustic instruments, every sound has been lovingly warped and re-warped, handcrafted and caressed before having thousands of volts shot through it for that trademark Amon adrenalin rush. Possibly the first 'proper' videogame soundtrack t   [ read more ]

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A random collection of experienced musicians and composers, Ponga fuses together classic and avant-garde jazz with traditional jungle beats to form a sound a little left of center. Their 1999 self-titled release showcases this fusion and was followed by this album of remixes by such artists as Fila Brazillia, Capsule 150, and Amon Tobin. -All Music Guide

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A marvelous introduction to the latest stage in Amon Tobin's brutal, beautiful musical development, the release of Foley Room will be accompanied by a DVD documentary showing the full story of how this remarkable record was made. ?Bloodstone?, the albums first single, begins life as a disturbing waltz, before the dirtiest, most foul-smelling and obnoxious vortex of a beat stomps all over that and the whole builds to a constantly deferred orchestral finale apparently built from tune ups. The strings i   [ read more ]

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