Seven tracks of super-freaked and triple-tweaked Japanese gone-rock hypertronix from EYE, YAMAMOTOR, YOSHIMI P-WE, ATR, and HIRA. Digitally damaged metal, loopy electronics, skreed psych wanderlust, and tasty licks of general mayhem. 'Handcrap' all around.

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Collecting the contents of the band's first two Japanese releases, Onanie Bomb shows that, from the start, the Boredoms were interested in musical chaos of a most unique degree. Rough but not lo-fi, Onanie rips, stomps, and explodes all over the place in several directions at once. Purists might object to calling some of what is whipped up songs, but the goofy insanity in the death-march-meets-squalling-cartoon-voices of We Never Sleep, and even the song titles which reach beyond over the top, like Lick'n ...   [ read more ]

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Spazmo-transonic rhythm: first came the idea, then came the action, and then it got hot. Like the birth of the atomic age, a first-time Boredoms experience stuns you with sheer brilliance. After that, there's no going back. By turns manic and explosive, brooding and quiet, whimsical and awkward, the Boredoms rock harder, wilder, and cooler than the most chest-puffing metalheads and cock-o'-the-walk rappers. And even when their self-invented "Bore-language" hits a peak in barbarous density, naive and spasti...   [ read more ]

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