Brimming with dark, epic energy, Thomas Weber possesses a creativity and sense of innovation that is truly unique. Fearlessly extending into raucous and experimental bursts of static while sounding like a highly charged improv ensemble. Weber's playfulness and scope make Maander a truly engaging experience. It's his willingness to explore new sounds, moods and manners - to move well beyond expectations and into a new realm - that make Maander so interesting. Weber (a member of the revered Payola collective...   [ read more ]

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If the origin of the Kammerflimmer Kollektief sound can be found in free jazz and folk, Cicadidae, the band's third album confronts acoustic and electronic instrumentations, depicting cinematic landscapes and spacious harmonies. Here, the sextet, originally the solo project of Thomas Webber, now augmented of the musical talents of Heike Aumüller (sound processing), Chris Brunner (drums and vibraphone), Dietrich Foth (sax), Johannes Frisch (double bass) and Heike Wendelin (violin), explore the boundaries be...   [ read more ]

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With the domestic release of Kammerflimmer Kollektief's debut album, Mäander, still fresh in people's heads and stereos, we waste no time in bringing you the startling follow-up, Incommunicado. Now weighing in as a sextet, the Kollektief pokes its head out of the bedroom and into the living room with a totally live, genuinely inspired organic experience. Kollektief mastermind Thomas Weber gave his band mates copies of Mäander and had them study the song structures and tones and attempt to reinterpret them ...   [ read more ]

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