Curating a volume in the Nuggets series of electronic sound-library compilations must have inspired Luke Vibert, because his next record out the gate reflects the influence of '70s avant-electronic pop producers like Roger Roger or Nino Nardini. YosepH, Vibert's first record for Warp (the label that would've been the natural home for any of his previous works), is both his starkest LP and one of his most melodically warped, a combination that puts him right in Nuggets terri...   [ read more ]

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'The name behind releases by Wagon Christ and Plug, Luke Vibert also released pieces of work under his own name, recording 1993's Weirs for Rephlex (as Vibert/Simmonds) and 1996's Big Soup for Mo'Wax. Stop the Panic followed in early 2000.' - John Bush, All Music Guide

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Luke Vibert's second album on Planet Mu brings together many strands of his work: Drum and Bass ("ComfyCozy" recalling past glories as Plug); Trip-Hop ("Rotting Flesh Bags" being his finest Wagon Christ type track in years); Breaks ("Breakbeat Metal Music" the possessor af a Speak and Spell lyric of coaxing danceability) and Acid ("Argument Fly" must be the most straight-ahead acid track so far released by monsieur Vibert, reminiscent of F.U.S.E or early 808State...) The album hangs together with the stran...   [ read more ]

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