Classical composer Osvaldo Golijov does not have much experience writing film scores. His music for Francis Ford Coppola's first directorial effort in ten years, {#Youth Without Youth}, is only his second foray into moviemaking, following {#The Man Who Cried}. Perhaps as a result, his work has a more individual flair than that of others. It may also be the nature of the assignment, a cerebral picture based on the novella by Mircea Eliade about a mature linguistics professor in Europe in the 1930s ...   [ read more ]

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