'It's no surprise that the material collected on Shut Up and Bleed stands as tall as Yao Ming in platform shoes. Time has eroded much of the initial inaccessibility of barbed stomps such as Crown of Thorns, leaving behind a deliciously nihilistic, psycho-cheerleader cha-cha. Lunch is a criminally underrated instrumentalist: Heed the drill-bit whinnies that scar Red Alert and the ascending, jet-engine whoosh of Freud in Flop. Substantially improving on the 1995 Teenage Jesus retrospective Everything, ...   [ read more ]

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