"As the name and cover art might suggest, Labyrinthes treatment of religion's permutations is nearly as mazelike as its song structures, rife with instrumental interludes and stylistic mash-ups. Single "Porte Disparu" fuses punchy burlesque pianos with breezy guitars, while "333" dashes to the other end of the spectrum and overlays strings onto Iron Maiden-worthy riffs as Mineau muses...a rallying cry for living in the moment rather than an existential crisis. The album's meditations on what follows the mortal coil are as sweeping as the gulf between its genres, but both are handled with rewardingly nuanced subtlety." -Paste Magazine